Conditierapport

H 21,4 cm

Condition: (UV-checked)
- Excellent.

Dia.: 25 cm

Condition: (UV-checked)
- Generally in excellent condition, with minor superficial wear.

H 44,4 cm

Condition: (UV-checked)
- Generally in very good condition, with minor superficial wear and some baking flaws. The bottom with a star-shaped glaze line, which is invisible from the inside.

H 61,2 cm

Condition: (UV-checked)
- The vase with some baking flaws and burst glaze bubbles along the top rim. A hairline from just above the foot running upwards to the middle of the vase.

H 32 - 31,5 cm (with stands)

H 29 - 28,4 cm (without stands)

Condition: (UV-checked)
- Both hat stands generally in good condition, each with a drilled hole on the bottom side and minor superficial wear.
- The two stand in good condition, with normal superficial wear.

H 57,5 cm

Condition: (UV-checked)
- Excellent.

H 20,4 cm

Condition: (UV-checked)
- Both vases generally in very good condition, with some superficial baking flaws.

H 35 cm

Condition: (UV-checked)
- A few small superficial chips of the top rim and a larger reglued chip of the top rim. 

H 43,5 cm

Condition: (UV-checked)
- All three vases in excellent condition, with minor superficial wear and some baking flaws.

H 24,6 cm

Condition: (UV-checked)
- In excellent condition, with minor superficial wear and some baking flaws.

H 61 cm

Condition: (UV-checked)
- One with a small superficial chip on the inside of the rim, otherwise in good condition.
- The second with restored rim chip, otherwise in good condition.

Dia.: 26,7 cm

Condition: (UV-checked)
- In excellent condition, with minor superficial wear.

H 37,5 cm

Condition:
- One with a reglued rim chip, with related 10 cm hairline. The base drilled.
- One in good condition, with the base drilled.

H 21,9 cm

Condition: (UV-checked)
- The neck with a vertical hairline of almost the full length, otherwise in excellent condition.

H 5,4 cm (the cups)

Dia.: 13 cm (the saucers) 

Condition: (UV-checked)
- The cups all in good condition with a number of minuscule fleabites along the rim.
- Two saucers excellent, one with fleabites on the rim, one with a 2 cm hairline and one with a 4 cm hairline.

H 60,8 cm

Condition: (UV-checked)
- The top rim with a filled superficial chip from the underside. Near the shoulder of the vase a firing related glaze fault. Minor superficial wear, otherwise in excellent condition.

H 61 cm

 

Condition: (UV-checked)

- In excellent condition.

 

H 15,4 cm

Condition: (UV-checked)
- The tea caddy and cover both in excellent condition.

Dia.: 40,1 cm

 The decoration shows two dragons chasing the flaming pearl in the middle of the design, a recurrent motif in Chinese art, with the pearl representing the attainment of wisdom, power or immortality.

Condition: (UV-checked)
- The charger with some firing flaws on the front side, a 5 cm hairline near 3 o'clock. The backside of the charger with a small and a larger superficial rim chip and a 2 cm hairline, which is invisible on the front. 

H 34 cm

Condition: (UV-checked)
- Excellent.

H 39 cm

Condition: (UV-checked)
- In excellent condition, with minor superficial wear.

H 24,5 - 23 cm (with and without stand)

Dia.: 27,2 cm

Condition: (UV-checked)
- Both jardinières in excellent condition.
- The stand with a impact caused hairline of ca. 4 cm along the rim, otherwise in excellent condition.

H 46 cm

Condition: (UV-checked)
- One vase with two rim chips, one with a broken section on the rim reglued.

Dia:. 22,9 cm

Condition: (UV-checked)
- Excellent.

H 47,5 cm

Condition: (UV-checked)
- One cover quasi excellent, with a few small spots of glaze loss to the lion finial.
- One cover with a small rim chip and a few small spots of glaze loss to the lion finial. 
- One vase with a ca. 8 mm hairline on the rim and a small superficial rim chip.
- One vase with superficial fritting to the glaze around the rim and a sectioo

H 35 cm

Condition: (UV-checked)
- Rim chip and numerous small losses to the applied dragons.

H 61,5 cm

Condition: (UV-checked)
- Vertical hairline in the body.

H 14,6 cm

Condition: (UV-checked)
- Excellent.

H 57,5 cm

Condition: (UV-checked)
- Both vases with baking flaws throughout.
- The vase with phoenixes with some glaze lines on the bottom side, invisible from the inside.

H 14,5 cm

Condition: (UV-checked)
- The cover with a few very small superficial rim chips and the bowl with a small superficial rim chips, otherwise in excellent condition.

H 60,5 - 58 cm

Condition: (UV-checked)
- The vase with double happiness design in nearly excellent condition, with a 2 cm hairline from the top rim.
- The other vase with a star-shaped hairline on the backside of the neck, otherwise in excellent condition.

H 38,3 cm

Condition: (UV-checked)
- In excellent condition, with minor superficial wear.

H 57,7 - 57,2 cm

Condition: (UV-checked)
- The vase on the right with a baking-related anomaly around the foot.
- The vase on the left with the base overpainted and a small rim chip.

H 46 cm

Condition: (UV-checked)
- The left vase with minor superficial losses of the pink enamel flowers, otherwise in excellent condition.
- The other vase in excellent condition.

H 15,8 cm - Dia.: 19,2 cm

Condition: (UV-checked)
- In excellent condition, with minimal superficial wear.

Dia.: 23,3 cm

Condition: (UV-checked)
- The plate on the left: 1 cm hairline, otherwise good.
- The plate on the right: excellent.

H 25 - 19,5 cm (the tallest and the smallest vase)

H 13,5 cm - Dia.: 7,8 cm (the brush pot)

Condition: (UV-checked)
- All six vases and the brush pot in excellent condition, with normal superficial wear.

H 28 - 27,5 cm

Condition: (UV-checked)
- Both excellent.

H 28 - 27,5 cm

Condition: (UV-checked)
- Both excellent.

H 60,2 - 56,5 cm (with and without base)

Condition: (UV-checked)
- The vase and stand in excellent condition, with normal superficial wear.

Dia.: 26,7 cm

Condition: (UV-checked)
- Both dishes in excellent condition.

H 45,5 cm

Condition: (UV-checked)
- Cover excellent, vase with a 3 cm hairline and a drilled hole.

H 58 cm (incl. the mounts)

Condition: (UV-checked)
- Both covers with a few small negligible rim chips.
- The vases excellent. Not checked below the mounts.

H 42 cm

Condition: (UV-checked)
- Vase excellent.
- Cover quasi excellent with two negligible small flakes to the finial.

H 4,2 cm - Dia.: 6,3 cm (the box and cover)

H 6,2 cm (the water pot)

H 3,6 cm - Dia.: 10,6 cm (the stemcup)

Condition: (UV-checked)
- The round box in excellent condition. The cover with a 2 cm hairline, visible on the in and outside, some superficial crazing of the glaze on the inside of the cover and between 4 and 5 o'cock a small superfical rim chip.
- The water pot with some firing flaws and a small superficial chip of one corner.
- The stemcup with a small superficial rim chip, otherwise in excellent condition.

H 4,5 - L 27 - D 22 cm

H 4,3 - L 27,5 - D 22,8 cm

Condition: (UV-checked)
- The left charger in nearly excellent condition, with minor superficial wear and a very small superficial rim chip between 2 and 3 o'clock.
- The other charger in excellent condition, with a small baking flaw on the rim near 12 o'clock.

L 24 cm

Condition: (UV-checked)
- Both in excellent condition with normal superficial wear to the gilding.

H 60 cm

Condition: (UV-checked)
- Both vases in excellent condition.

Dia.: 30,2 cm

Condition: (UV-checked)
- In excellent condition.

H 24,2 cm

The item marked: 'yuan wen wu guo zhi zhai' (studio where I want to hear my faults).

Condition: (UV-checked)
- In excellent condition, with normal superficial wear.

H 22,6 cm

Condition: (UV-checked)
- The left vase with a vertical 10 cm hairline starting just above the foot, otherwise in excellent condition.
- The other vase in excellent condition.

H 22 cm (the jar and cover)

H 10,3 - L 12,5 cm (the tallest teapot)

H 8,2 - L 15,5 cm (the smallest teapot)

H 6 cm - Dia. 12,3 cm (the largest bowl)

H 4,5 cm - Dia.: 8,8 cm (the smallest bowl) 

Condition: (UV-checked)
- The jar with a few small superficial rim chips and some superficial wear, otherwise in excellent condition. The cover in nearly excellent condition, with a small superficial chip of the tip of the knob.
- Three bowls in excellent condition, with minor superficial wear.
- Two bowls in nearly excellent condition, with each a small superficial rim chip.
- The teapot with pocelain handle in nearly excellent condition, with a small baking flaw on the top rim. The cover in excellent condition.
- The teapot with metal handles and cover in excellent condition, with minor superficial wear.

H 72 - 43,5 cm (with and without stand)

Dia.: 52 cm

Condition: (UV-checked)
- Excellent.

Dia.: 27,4 cm

Condition: (UV-checked)
- In excellent condition, with minor superficial wear.

H 22,2 cm - Dia.: 27,5 cm (the jardinière on stand)

Condition:
- Jardinière and stand both with rim chips and enamel losses.

H 9  cm - Dia.: 10,5 cm (the bowl and cover)

H 5,9 cm - Dia.: 11,4 cm (the largest bowl)

 H 4,2 cm- Dia.: 10,3 cm (the smallest bowl)

 Condition: (UV-checked)
- Excellent.
- Second from the left with a quasi invisible 2 cm glaze line.
- The covered bowl with two ca. 5 cm hairlines.

H 60,7 cm

Condition: Excellent.

L 15 cm (the largest spoon)

Condition: (UV-checked)
- All four spoons in excellent condition.

H 18,6 cm

Condition: Excellent.

H 38,2 cm

Condition: (UV-checked)
- The porcelain in excellent condition, the gilding worn.

H 43,7 cm

Condition: (UV-checked)
- The upper 3 cm restored and oversprayed, probably to cover two breaks.

H 20,7 cm

Condition: (UV-checked)
- The jar with a 6 cm hairline from the top rim and a superficial chip of the unglazed foot rim.
- The cover generally in very good condition, with some superficial wear.

H 60,2 cm

Condition: (UV-checked)
- In excellent condition. 

H 29,7 cm

Condition: (UV-checked)
- In nearly excellent condition, with some superficial wear and a vertical baking flaw running down from the top rim.

H 27,5 cm

Condition: (UV-checked)
- In nearly excellent condition.
- One of the front claws of the applied dragon with a missing toe.

Dia.: 29 - 19,5 cm (the largest and the smallest dish)

H 16 - L 20,5 (the teapots) 

H 10,6 cm (the cups)

Condition: (UV-checked)
- All in excellent condition, with minor superficial wear.

 

Dia.: 18,2 cm

Condition: (UV-checked)
- Excellent.

H 14,2 - L 45 - D 29,4 cm 

Condition: (UV-checked)
- Excellent.

 

H 6,2 - L 45,5 - D 38,5 cm

Condition: (UV-checked)
- Top dish with superficial wear and a surface pit, otherwise good.
- Basin with a restored section on the outer rim of ca. 10 cm long.

H 23,5 cm

Condition: (UV-checked)
- The left vase with two glued breaks of the foot with a short related hairline, otherwide in excellent condition.
- The second vase  gererally in good to very good condition, with three small superficial rim chips along the foot.

H 7 cm

Condition: (UV-checked)
- Excellent.

H 8,2 cm

Condition: (UV-checked)
- Generally in very good condition, with minor superficial baking flaws around the top rim. The unglazed foot with an impact  caused hairline.

H 9,6 cm

Condition: (UV-checked)
- Excellent.

H 8,6 cm

Part of this lot (the stopper) is subject to CITES-regulation. Accompanied by a certificate from an external appraiser, allowing a sale within the European Union. For export outside of the European Union, a CITES export permit must be obtained. Buyers are responsible for adhering to local import rules. This lot is not available for buyers in the USA or other countries that have banned import of ivory items. The bottle can be shipped individually, without the stopper, free of CITES-regulation.

Condition: (UV-checked)
- The snuff bottle in excellent condition, with some negligible baking flaws along the rim.
- The ivory stopper with two age related tension lines.

H 8 - 5,9 cm (the tallest and the smallest item)

Condition: (UV-checked)
- Generally all in good condition.
- Nr. 6 from the left with a visible tension line in the stone.

H 13,1 - L 14,5 cm 

 Probably depicting Pindola Bharadvaja.

Condition: (UV-checked)
- Generally in very good condition, with minor superficial wear and some superficial chips and bump marks.

33,4 x 7,5 x 6 cm (the box)

Ca. 53 x 28,5 cm (the open fan)

 

Lot subject to CITES-regulation. Accompanied by a certificate from an external appraiser, allowing a sale within the European Union. For export outside of the European Union, a CITES export permit must be obtained. Buyers are responsible for adhering to local import rules. This lot is not available for buyers in the USA or other countries that have banned import of ivory items.

 

Condition: (UV-checked)

- The box in good condition, with negligible superficial wear and some minor damage to the corners. Part of the inner lining in poor condition.

- The mother-of-pearl in very good condition, except for one stick (glued).

- The fan with beautiful colours, but rather only in a decent condition: some tears, some wear, some missing or loose heads, etc.

- The fan opens stiffly and with some difficulty.

Various dimensions.

 

Condition: (UV-checked)

- The lot in very good condition, with the normal traces of use and inevitably a very small number of pedestals with glued particles.

- Ca. 25 kg

H 210 - L 116 - D 50 cm

Condition:
- Overall in good condition.
- Scuff marks and minor small damages throughout, some superficial wear. Please refer to the additional images.

H 59,5 - L 49,2 cm

Condition: (UV-checked)
- The porcelain excellent.
- The wood with a few minor damages, some glue reinforcements and minor superficial wear, but generally in good condition.

Work: ca. 93 x 32 cm

Frame: 97,2 x 36 cm 

Condition: (UV-checked)
- Generally in very good condition, with normal superficial wear. The top section of the painting with a 9 cm tear running downwards.

 

Work: 65,8 x 43,5 cm

Scroll: 123,5 x 76 cm

 

Condition: (UV-checked)

- The painting in good condition, with some crease lines and minor stains.

- The mount with some tears, not touching the painting. 

Work: 51,5 x 36 cm

Frame: 68 x 53,5 cm

Condition: (UV-checked)

- All three paintings with areas of superficial discoloration of the textile.
- The painting in the top middle of the first photo with a number of tears and areas of wear. Some of them repaired or reinforced with related retouching.
- The painting at the bottom left generally in good condition, with a vertical tear line in the left part of the painting and some superficial wear.
- The third painting with minor small tears and some small repairs with related retouching.

Work: ca. 98,5 x 56,5 cm

Frame: 103 x 61,2 cm

Condition: (UV-checked)
- Superficial staining and scratching throughout.
- Small tears in top and bottom right corner.
- Discoloured surface.

Provenance:

- The reverse with a note 'To Ferguson Furnitur(e), Santa Barbara Calif.'

Work: ca. 26,5 x 19,5 cm

Frame: 47,7 x 37 cm

Condition: (UV-checked)
- Left painting: top right corner replaced, vertical tear ca. 5 cm from the left side and another number of tears and punctures throughout.
- Right painting: a number of tight vertical tears and small losses throughout.

H 39 - 15,5 cm (the tallest and the smallest vase)

H 21,5 - 18,5 cm (the vases and covers with and without base)

H 10,2 - 5 cm (the ducks)

H 7,9 cm - Dia.: 5 cm (the round box and cover)

H 7,5 cm - Dia.: 9,5 cm (the covered bowl)

 

Condition: (UV-checked)

- Negligible superficial wear.

- The white vase with a dent to the bottom and a dent to the shoulder.

- One of the large vases with a negligible dent to the shoulder. The other vase in excellent condition.

- The two small yellow vases in perfect condition.

- Both blue vases with a dent to the bottom. One of the vases slightly deformed. 

- The box and cover with negligible damage.

- The ducks and the goose in good condition, just as the bowl and cover. 

- The two red vases and covers: one vase, two covers and one base in excellent condition, one vase with a dent to the bottom and one base with two minor missing parts.

- One of the 'fish vases' with a large dent.

 

 

 

H 3,8 - L 10,5 - D 8,5 cm

 

Condition: (UV-checked)

- The box and cover in very good condition, with the normal minor superficial wear.

Dia.: 21,9 cm

Condition: (UV-checked)
- Both in very good condition with normal minor superficial wear.

L ca. 18 cm

Total weight: 375 g

H 21,6 cm (from the top of the closure to the decorative ball at the bottom)

 

Note that this purse is most probably made in Vietnam or Siam.

 

Provenance:

- Private collection, the Netherlands.

 

Condition: (UV-checked)

- Tested on silver purity.

- The chainmail purse in very good condition, with very minor damage to the chains at a small number of places (see photos).

- One of the decorative balls missing.

Ca. 150 x 95,5 cm

Condition: 
- The robe generally in good condition, with some loose threads and areas of wear, mostly the black silk fabric.

Work: ca. 66,5 x 39,7 cm
Frame: 73,9 x 50 cm

Work: ca. 72,5 x 49,5 cm
Frame: 80,5 x 57 cm

 Condition: (UV-checked)
- The smallest robe generally in very good condition, with minor superficial wear.
- The larger robe with some superficial wear and discoloration.

 

157,5 x 97 cm

Condition:
- Excellent.

 

H 9,5 cm - Dia.: 20,2 cm

Condition: (UV-checked)
- A large rim section broken out and restuck, with an internal break. Small missing sections filled.
- A related ca. 10 cm hairline extending from the break.
- The sound of the bowl intact when tapped.

Dia.: 34,9 cm

Condition: (UV-checked)
- Very good, with glaze loss along the rim.

Dia.: 34,5 cm

Condition: (UV-checked)
- One in excellent condition, with negligible small superficial spots of glaze loss on the rim.
- One with a quasi invisible superficial 2 cm hairline, only showing up under UV-light, as well as some typical negligible small superficial spots of glaze loss on the rim.

Dia.: 21 cm

Condition: (UV-checked)
- Excellent, with a negligible burst glaze bubble on the rim.

H 13 - L 17,8 cm

Condition: (UV-checked)
- Teapot and cover both in excellent condition. The cover with a negligible superficial flake on the underside of the inner rim.

Dia.: 36,2 cm

Condition: (UV-checked)
- Quasi excellent, with a superficial ca. 4 mm rim chip.

H 18 cm

Condition: (UV-checked)
- One lid with a very small rim chip and a tight tension line on the rim, the other excellent. Both mounted on a stick.
- Both ewers with the spout reduced and a tension line around the handle, where it meets the body. Further losses to the glaze throughout. One with a 4 cm hairline.

Dia.: 21,1 cm

Condition:
- Two excellent.
- One with a 3 cm hairline.
- One quasi excellent with a small rim chip.

Dia.: 28,6 - 25,4 cm (the largest and the smallest plate)

Condition: (UV-checked)
- The dish with the ship on the left: broken in several pieces, reglued and restored.
- The dish with the dragon: fritting on the rim and a 3 cm hairline.
- The dish on the right: a few small spots of losses around the rim, otherwise excellent.

Dia.: 12 cm (the blue and white octagonal saucers)

Dia.: 11,7 cm (the Batavian ware saucers)

H 6 cm (the blue and white octagonal cups)

H 4,3 - 4 cm (the Batavian ware cups)

Condition:
- Please note the blue and white cups and saucers may be of Japanese origin.
- Blue and white saucers: all with rim chips.
- Blue and white cups: one with hairlines in the base, two with a large rim chip, two with small rim chips.
- Famille rose batavian ware cup and saucer: hairline to saucer, cup ok.
- Blue and white batavian cup and saucer: hairlines to saucer, chip to cup.

H 10,8 cm (the tea caddy)

H 8,8 cm - Dia.: 11,1 cm (the bronze mounted bowl)

H 7,5 cm - Dia.: 15 cm (the bowl)

H 6,8 cm - Dia.: 13 cm (the bowl with handle)

Dia.: 8,4 cm (the box and cover)

Condition:
- Silver-mounted bowl with small rim chips.
- Tea caddy with fritting and some chips.
- Other pieces in good condition.

 

Dia.: 13,3 - 9,4 cm (the largest and the smallest saucer)

H 6,5 cm - Dia.: 10,3 cm (the largest cup)

H 3,7 cm - Dia.: 5,6 cm (the smallest cup)

 Condition:
- Monochromes: very good condition.
- Blue and white saucers: 1 reglued, 8 with chips, 2 with hairlines, 2 intact.
- Famille rose saucer: rim chips.
- Cups: 2 reglued, 7 with chips, 2 with hairlines, 5 intact.

H 5 - 3,6 cm (the cups)

Dia.: 13,7 - 10 cm ( the saucers) 

Condition: (UV-checked)
- Saucers: 4 with one or more hairlines, 7 with one or more chips, 5 intact.
- Cups: 1 with one or more hairlines, 4 with one or more chips, 1 intact, 1 reglued.

Dia.: 21,6 cm

Condition:
- All with the rims polished, as well as a number of small superficial rim chips throughout.

Provenance:

- Some plates with a 'Collectie Bastings Antiquairs' label.

 

 

Dia.: 23,8 cm

Please note that the plates may be of Japanese origin.

Condition: (UV-checked)
- One with a 3 cm hairline.
- One with three hairlines of 3, 4 and 6 cm, one of these with a related rim chip.
- One with two short hairlines and two rim chips.
- One with a 3 cm hairline with related rim chip.
- Two excellent.

Dia.: 21,5 cm (the dishes)

H 14,5 - Dia.: 12,1 cm (the covered jar)

H 9,1 cm - Dia.: 14,2 cm (the bowl)

Condition: (UV-checked)
- The bowl quasi excellent, with some minor superficial frits on the rim.
- The covered jar: hairline on cover, jar intact.
- The plates: one with two ca. 5 cm hairlines, small chips and fritting. One with fritting on the rim and ca. 5 cm hairline.

H 12,8 - 11 cm (the jugs)

H 6,5 - 6,2 cm (the vases)

Condition: (UV-checked)
- One vase excellent, one with a small chip on the foot.
- The smallest jug with the cover glued onto it.
- The tallest jug excellent. The lid with a chip.

H 26,4 - 15,4 cm

Condition: (UV-checked)
- The blue and white vase with the neck cut off, the rim polished. The surface with some stained superficial glaze lines. The foot with a few small chips and the base with a Y-shaped hairline across.
- The wucai jar with a long circular hairline extending from the neck and another where the luting line is situated. The decoration worn.

Dia:. 16,1 - 10,2 cm (the largest and the smallest saucer) 

H 5,7 - Dia:. 17,5 cm (the bowl on foot)

H 3,6 cm (the cup)

Condition:
- Largest bowl: several rim chips.
- Shou plate: hairline, rim chips.
- Saucer with birds and saucer with figures: hairlines.
- Floral and landscape saucer: good.
- Cup: rim chips.

 

H 23,4 cm (the jar)

H 10 - L 17,2 cm (the teapot)

Condition: (UV-checked)
- The jar excellent, with engraved character.
- The teapot with a hairline across the base and upwards on both sides.

Dia.: 41,3 - 34,5 cm

Condition: (UV-checked)
- All three with polished rims, otherwise good.

Dia.: 13,8 - 11,9 cm

Condition:
- With geese: excellent.
- With figures: each with a hairline and numerous rim chips

H 5,5 cm - Dia.: 10 cm

Condition: (UV-checked)
- A small superficial 2 mm glaze flake on the inner rim, otherwise excellent.

Dia.: 12 - 11,2 cm (the largest and the smallest saucer)

Condition: (UV-checked)
- Left: Quasi excellent, with a few small nibbles on the rim.
- Middle: Small rim chip w. short hairline.
- Right: Very good, some discoloration.

Provenance:

- Both Yongzheng saucers with a Sotheby's 'Ca Mau - Binh Thuan' label (71274 and 74760).

- The Qianlong saucer with a Christie's 'The Nanking Cargo' label (lot 5534).

 

Dia.:  22,7 cm

Condition: (UV-checked)
- Two in very good condition with a few small chips on the underside of the rim.
- One with a hairline across the center.
- One with a T-shaped 5 cm hairline from the rim.

Dia.: 28,6 cm

Condition: (UV-checked)
- In very good condition, with minor superfical wear throughout.

Dia.: 35,2 cm

Condition: (UV-checked)
- Rim chip and 15 mm hairline at ca. 6.30 o'clock.
- Further small rim chips and fritting.

Provenance:

- Palais des Beaux-Arts, Brussels, October 4, 1972, lot 50.

Dia.: 36,4 cm (the Kangxi Imari style charger)

Dia.: 14,5 cm (the two famille rose saucers)

H 6,3 cm (the cup)

Condition: (UV-checked)
- The Imari charger with a restored area on the rim of ca. 5 x 6 cm. The rim with a number of chips of various sizes.
- The single Canton famille rose saucer with a 2 cm hairline from the rim.
- The cup with four vertical hairlines from the rim and a hairline in the upper section of the handle. The saucer with a 3 cm hairline from the rim.

 

 

Dia:. 38,7 cm

Condition: (UV-checked)
- Broken and restored.

Dia.: 36,5 cm 

Condition: (UV-checked)
- The central part with hairlines, visible from the front and backside. The rim with a 8 cm and 3 cm hairline and a number of chips, as visible on the photos.

Dia.: 21,8 cm

 Ref.:
- Groninger Museum, The Netherlands, inv. no. 1945.0159, for a set of six. Published: C.J.A. Jörg: 'Famille verte enamels', Groningen, 2011. The catalogue entry states that 'The woman is Mu Guiying, wearing the long feathers of a military commander; the soldier with the large flag and the military tent are further indications that the scene is taken from the Yang-jia-jiang Yanji (The Command Troops of the Yang Ye Family) attributed to the Ming author Yong Damu. The story tells how Mu Guiying, of low birth, is determined to marry the sixth son of Yang Ye, one of the Song’s Emperor’s most esteemed generals who was betrayed by court officials and died while fighting the invading Khitan tribes. The girl was denied her wish, but she captures the son, Yang Zhongbao, and will not let him go unless he agrees to marriage. Her martial skills earn her much respect and eventually, when the men of the Yang family have been defeated in battle, she successfully leads an army of female warriors against the Khitan Liao invasion in the north'.

Condition: (UV-checked)
- The rim with extensive losses of the glaze and a 3 cm hairline just before 12 o'clock.

Dia.: 34,4 cm

Condition: (UV-checked)
- Some small superficial chips of the rim.
- An area between 12 and 3 o'clock restored and overpainted.

 

Dia.: 23 - 15,7 cm (the largest and the smallest dish)  

Condition: (UV-checked)
- The famille verte lotus scroll dish with a section of the rim overpainted, probably to cover two breaks. The old repair worn.
- The Imari verte plate generally in very good condition, with minor superficial wear to the enamel design.
- The pair of famille verte plates with a number of restored rim chips and hairlines, with related overspraying.

H 7,8 - Dia.: 15,2 cm

Condition: (UV-checked)
- Both bowls with extensive glaze losses along the rim and a number of chips.
- One bowl with 3 hairlines and the other bowl with 4 hairline of various lengths.

H 23,2 cm

Condition: (UV-checked)
- Some baking flaws  and some retaled discoloration. 
- One hand with the finger tips missing and the sleeve of this same arm with two rim chips.
- The base with a lacking part of the snake.

H 8,5 - L 14,1 - D 10,3 cm (the largest libation cup)

H 6,7 - L 13,2 - D 9,7 cm (the smallest libation cup)

 Provenance:
- The two smallest libation cups with a 'L. Wannieck - Paris' label. For more information, see: link.

Condition: (UV-checked)
- The left cup with a small rim chip with a related 1 cm hairline.
- The largest cup in excellent condition, with some negligible baking flaws.
- The cup on the right generally in very good condition, with two small superficial rim chips and minor superficial baking flaws.

H 21,3 - 12,5 cm (the tallest and the smallest figure with base)

 Provenance:
- Acquired in China by the father of the present owner in the 1960's.

Condition: (UV-checked)
-The first figure on the left with the fan in nearly excellent condition. The backside of his hat with a very short hairline.
- The rest of the figures in excellent condition, with minimal superficial wear.

 

Dia.: 15,4 cm

Condition: (UV-checked)
- In good condition, with small superficial rim chips.

H 44,5 cm

 Condition: (UV-checked)
- Some losses to the applied figures.
- One stand in good condition with minor damages, the second damaged.

Two wood stands added to the vase. 

H 28,5 - L 50 cm

 

Condition: (UV-checked)

- The sculpture in good condition, with superficial wear.

- The painted eyes with wear as well. 

H 49 cm (the total height)

Condition:
- Important repair to right side of torso, to the top of the head, to both feet and to two holes in the base, behind the figure.

Dia.: 39,8 cm

Condition: (UV-checked)
- Excellent, with negligible minor superficial wear.

Dia.: 46,2 cm

 

Condition: (UV-checked)

- In very good condition.

H 21,2 cm

Condition: (UV-checked)
- Chipping along the rim and foot, minor wear, otherwise in good condition.

Marked SVE on the base for Samuel van Eenhoorn, the "De Grieksche A" workshop, Delft, 1678 - 1686.

H 40,5 cm

Condition:
- A hairline extending upwards from the base, with related impac spot on the bottom.
- Small chips around the rim and foot.
- Superficial dirt adhered, would look even better once properly cleaned.

H 21,5 cm

Condition: (UV-checked)
- Lacking the pewter lid.
- A baking crack through the beard.
- A few very small superficial chips throughout, three larger chips around the foot.
- Visible marine encrustation from long-term immersion in sea water.

H 23,3 - 22,2 cm (the tallest and the smallest albarello)

Condition:
- All three in very good condition with normal minor superficial wear, some superficial dirt adhered and typical superficial glaze loss along the rim and foot.

H 69 cm (the tallest lamps)

Dia.: 28,6 cm (the plate)

H 25,7 cm - L 20,5 cm (the biscuit group)

 

The plate marked 'Gien' with the three towers (third quarter of the 19th C.).

The base of the Sèvres biscuit marked and the group entitled 'L'amour enchainé par la fidelité'.

One of the lamps with a 'Lampe à moderateur - R & V - garantie' label.

 

Condition: (UV-checked)

- The biscuit with some negligible damage to the flower petals and minor damage to the left foot of the lady.

Dia.: 24,4 cm (the dishes) 

H 17,2 cm (the bowl)

 Condition: (UV-checked)
- All in very good condition with negligible minor superficial wear.

The portraits of Napoleon III, Eugenie and Louis-Napoleon signed 'Galy' and the plates marked 'M. Imple de Sèvres' (Manufacture Impériale de Sèvres). 

The portraits of Vicomtesse Dumoulin and Madame Elisabeth signed Morin (for Jean-Louis Morin) and marked 'Chateau des Tuileries', 'S.37' and 'Sèvres 1848'.

H 15 - L 25 - D 12,2 cm

 Both stands double marked: the green mark for the date of production of the hard-paste porcelain and the red mark for the date of gilding.

Condition: (UV-checked)
- Two tureens, two covers and one stand in excellent condition, with normal superficial wear to the gilding.
- The stand with the 'red eagle' mark with a 4 cm hairline.

H 59,5 cm

Condition: (UV-checked)
- Excellent.

The vase gilt bronze mounted and the base with a Sèvres mark. 

H 53,5 cm (the vases)

H 15,4 - 8 cm (the bowl with and without stand)

 Condition: (UV-checked)
- The bowl excellent.
- One vase excellent, one vase nearly excellent with a small touch-up to the gilding just above the bronze section connecting the body and the neck.

One of the feet of the bronze base inscribed with the number '963'.

 H 79 cm

 Condition: (UV-checked)
- The vase excellent. The cover with two tight hairlines, quasi invisible.

The bottom with a Sèvres mark. The gallant scenes signed 'C. Niccoliez'.

H 50,3 cm

 

Condition: (UV-checked)

- The vase in very good condition, with minor wear to the gilt decoration on the sides and normal baking cracks to the bottom.

 

H 38,8 - L 56 - D 30,8 cm

Condition: (UV-checked)
- In very good condition with negligible normal minor superficial wear.

48 x 42,5 x 22,5 cm

Condition: (UV-checked)
- Both central figures with a small loss to the tip of one of the fingers, otherwise in excellent condition.

Ref.:

- A similar centrepiece but with 'reverse gilding' was sold at Christie's, New York, October 24, 2012 (link).

 

H 12,3 - 7,4 cm (the tallest and the smallest figure)

 The shepherd and the boy with the flowers with a blue Cyrillic mark for Popov. 

 Ref.:
- Related examples of the erotic figure and the shepherd depicted in: V.v. Znamenova, Russian porcelain figures 1756-1917 (original title in Cyrillic), 2011.

Condition: (UV-checked)
- The boy with the flower basket with one missing arm. The basket with flowers missing the handle.
- The erotic lady figure in nearly excellent condition. The front side of her dress with a small burst glaze bubble.
- The shepherd in excellent condition, with minimal superficial wear.

H 36 - L 38 cm

 

Condition: (UV-checked)

- The bust in good condition, with minor negligible rim chips.

- The usual baking flaws.

- With some restoration to the neck and some superficial cracks.

H 22,3 cm

Condition: Generally in very good condition with normal minor superficial wear.

Lot subject to CITES-regulation. Accompanied by a certificate from an external appraiser, allowing a sale within the European Union. For export outside of the European Union, a CITES export permit must be obtained. Buyers are responsible for adhering to local import rules. This lot is not available for buyers in the USA or other countries that have banned import of ivory items.

H 58,5 cm

Condition:
- Both in good condition with negligible minor superficial wear.

Based on the colossal marble pair of the 'Horse Tamers' (Castor and Pollux) on the Capitoline Hill (Rome), the Marly Horses were commissioned in 1739 by Louis XV to the sculptor Guillaume Coustou to adorn the park of the Marly Castle. The originals are nowadays kept in the Louvre Museum.

Work: ca. 237 x 150 cm

Frame: 240 x 150 cm

Condition:
- Quasi excellent, with normal minor superficial wear and a few small areas of very minor discoloration.

172 x 113 cm

The rug with a signature and the Iranian flag.

 

Condition: (UV-checked)

- The rug in very good condition, with negligible traces of use (between the wings of the birds and folded edges).

H 45 cm

Condition: (UV-checked)
- Both excellent.

H 35,3 cm

Condition: (UV-checked)
- Excellent.

H 58 cm

Condition: (UV-checked)
- One vase in excellent condition, with two baking flaws of the celadon glaze.
- The other vase with two restored breaks of the top rim with related retouches and over spraying.

H 28 cm

Condition: (UV-checked)
- Generally in excellent condition, with some superficial wear to the gilding and enamel design.

H 43 cm

Condition: (UV-checked)
- A small superficial chip of the top rim.
- Superficial wear to the glaze.
- Some old residue of green paint throughout.

H 27,5 cm

Condition: (UV-checked)
- In excellent condition.

H 32,3 cm

Dia.: ca. 22,6 cm (the plate)

Condition: (UV-checked)
- The plate and mounts generally in very good condition, with minor superficial wear.

H 12,5 cm

(The top rim is fully glazed, so most likely the vase does not come with a lid.)

Condition: (UV-checked)
- In excellent condition, with a few baking flaws as visible on the photos.

H 21 cm - Dia.: 21,2 cm

Condition: (UV-checked)
- The brush pot with a glued break. Along the break with numerous lacking chips, as visible on the photos.

H 18 cm

Condition: (UV-checked)
- In very good condition. Negligible superficial wear and baking flaws on the rim.

H 34,5 cm

Condition: (UV-checked)
- Both vases in excellent condition. One vase with a superficial baking flaw on the bottom side.

H 36 cm

Condition: (UV-checked)
- One vase in excellent condition, with minor superficial wear.
- The second vase in nearly excellent condition. One of the pink applied dragons with one missing front leg.

H 44,5 cm

Condition:
- Vase on the left with two small chips to the unglazed foot.
- Vase on the right excellent.

H 13,5 cm - Dia.: 39,5 cm (the 'antiquities' bowl)

H 15,4 cm - Dia.: 36,5 cm (the Canton bowl)

H 12,9 cm - Dia.: 41,6 cm (the Canton Bowl)

Condition:
- The largest: ca. 38 cm crack.
- The smallest Canton bowl: rim chip with 10 cm hairline.
- The 'antiquities' bowl: restored rim chip.

H 22,2 cm - Dia.: 18 cm  

Condition: (UV-checked)
- The bowl in nearly excellent condition, with minor superficial wear and a superficial chip of the inner unglazed rim.
- The cover with two small superficial chips of the outer rim and one larger chip of the inner bottom rim, otherwise in excellent condition.

H 8 cm - Dia.: ca 17 cm

Condition: (UV-checked)
- In nearly excellent condition, with a 1,5 cm hairline from the rim.

H 57 cm

Condition: (UV-checked)
- One with a ca. 6 cm hairline on the rim, otherwise in good condition.
- The second with a hairline through the upper part of one handle, otherwise in good condition.

H 45 - 35,7 cm

Condition: (UV-checked)
- The tallest vase with a very small superficial rim chip and a larger superficial rim chip of the underside of the top rim.
- The yenyen vase in excellent condition, with minor superficial wear.

Dia.: 36,2 cm

Condition: (UV-checked)
- Generally in excellent condition, with minor superficial wear.

H 45 cm

Condition:
- Two hairlines on the rim of ca. 3 and ca. 5 cm.

H 15,3 cm

Condition: (UV-checked)
- All in excellent condition.

H 43 cm

Condition: (UV-checked)
- In excellent condition, with minimal superficial wear.

H 12 - L 14,8 cm

Condition: (UV-checked)
- Teapot and cover in excellent condition, with minor superficial wear.

Dia:. 22,9 cm

Condition: (UV-checked)
- With superficial wear to the enamel glaze.
- At 2 o'clock a 5 cm hairline and another 5 cm hairline just before 3 o'clock with an related filled chip on the backside.
- A 4 cm hairline just after 5 o'clock and another at 11 o'clock.

H 13,5 - L 21,5 cm

Condition: (UV-checked)
- 2 small superficial rim chips, otherwise excellent.

H 28,6 cm

Condition: (UV-checked)
- The left hat stand with a hairline from the top rim, from the outside 2 cm visible and the inside 6 cm.
- The other hat stand in nearly excellent condition, with some superficial wear and a small superficial chip of the inner top rim.

H 61,7 cm

 

Condition: (UV-checked)

- A vertical ca. 15 cm hairline in the middle of the vase.

H 59,7 cm

Condition: (UV-checked)
- The top rim with a reglued chip, as visible on the photos. Otherwise in excellent condition.

H 59 cm

Condition: (UV-checked)
- With some superficial baking flaws, most of them located around and on the handles. One of the flowers with some losses of the overglaze enamels.

H 16,3 cm - Dia.: 19,6 cm

Condition: (UV-checked)
- Excellent.

H 35,2 cm

Condition: (UV-checked)
- In excellent condition.

 

H 15,7 - L  22,4 cm

Condition: (UV-checked)
- Two rim chips to the teapot, a small rim chip to the cover.

H 62 cm

Condition: (UV-checked)
- Both vases overall generally in very good condition. One vase with two small superficial rim chips and the other vase with four small superficial rim chips.

H 9,5 - L 16,2 cm 

Condition: (UV-checked)
- The cover in nearly excellent condition, with a negligible chip of the unglazed rim.
- The teapot generally in very good condition, with a superficial chip of the tip of the spout.

H 14,2 cm - Dia.: 42,2 cm

Condition: (UV-checked)
- Hairlines in the central medallion, as well as superficial wear and losses to the enamels. The rim with small superficial chips.

H 44,2 cm

Condition:
- Excellent.

H 15,1 cm - Dia.: 35,7 cm

Condition: (UV-checked)
- In nearly excellent condition, with minor superficial wear, some small baking falws, a few negligible superficial rim chips and one larger superficial rim chip.

H 62 - 31 cm (the tallest and the smallest vase)

Condition: (UV-checked)
- (far left) (1) Excellent.
- (2) Restored breaks in the neck.
- (3) Small rim chip.
- (4) Two small rim chips.
- (5) Excellent.
- (far right) (6) Restoration around the rim.

H 32,7 cm

Condition:
- Excellent.

H 21,2 cm - Dia.: 27,8 cm (the jardinière on stand)

H 16,9 cm - Dia.: 24,2 cm (the pair of jardinières)

Condition: (UV-checked)
- All in excellent condition.

H 9 cm - Dia.: 18,7 cm

Condition: (UV-checked)
- Three small superficial chips on the outer rim, otherwise in excellent condition.

H 66 cm (incl. the glass) 

Condition: (UV-checked)
- Both in very good condition with normal minor wear. One with a star shaped crack to the body.

H 56 cm

Condition: (UV-checked)
- With minor superficial wear, a few baking flaws and a hairline of ca. 15 cm running through the figurative design.

H 11,3 - L 25 - D 22 cm

Condition: (UV-checked)
- The stand generally in excellent condition, with minor superficial wear.
- The basket with a restored rim chip with related overpainting. Some superficial wear and minor losses of the enamels. Both handles with later gilding, probably one handle reattched to the basket. 

 

H 26,8 - 15 cm (the tallest and the smallest vase)

H 6,9 cm - Dia.: 16,1 cm (the bowl)

Condition:
- All in excellent condition.

Dia.: 28,9 cm

Condition: (UV-checked)
- In excellent condition, with minor superficial wear.

H 45 cm 

Condition: (UV-checked)
- Both covers and one vase in excellent, with minor superficial wear.
- The second vase in nearly excellent condition, with two short hairlines from the top rim.

H 41,5 - 34,5 cm (with and without base)

Condition:
- Both in very good condition, but with the base drilled for mounting on the bronze stands.

H 57,7 cm

Condition: (UV-checked)
- One excellent, one with a 6 cm hairline.

H 90 cm

Condition: (UV-checked)
- A restored circular break around the neck, as well as a large fragment of the lower body broken out and restuck on one side, the break retouched. On the other side, a vertical hairline restored.

H 91,6 cm

Condition: (UV-checked)
- With restoration around the rim covering at least one broken out rim section, a ca. 8 x 2 cm rim section missing but filled and retouched, as well as ca. 8 cm vertical hairline extending down from the rim.

H 45,4 cm

Condition: (UV-checked)
- Very good.

H 41,9 cm

Condition: (UV-checked)
- One with a small rim chip with related 2 cm hairline.
- One with a reglued rim section with related 6 cm hairline and a rim chip with related 5 cm hairline.

H 59 - 55,8 cm (the tallest and the smallest vase)

Condition: (UV-checked)
- Vase on the right: excellent.
- Vase in the middle: hairline from the rim.
- Vase on the left: excellent.

Dia.: 30,5 cm

Condition: (UV-checked)
- All ten chargers in excellent condition, with minimal superficial wear.

H 58,5 - 56,5 cm (the tallest and the smallest vase)

Condition: (UV-checked)
- All three in very good condition.

H 67,8 - 63,5 cm (with and without base)

Condition: (UV-checked)
- One vase in nearly excellent condition with a number of spots with superficial glaze loss throughout.
- The second with some restoration around the rim and to the tail of one of the lion handles.

H 29,7 cm (the total height)

H 21 cm (the vase)

Condition: (UV-checked)
- The vase in excellent condition, with minor superficial wear. No drilled hole in the vase.
- The mounted lamp in less good condition.

H 21,2 cm

Condition: (UV-checked)
- In excellent condition.

 

H 23,3 cm

Condition: (UV-checked)
- In excellent condition.

H 58 cm

Condition: (UV-checked)
- One vase in nearly excellent condition, with minor wear to the overglazed enamel design.
- The other vase with a star-shaped glaze crack on the bottom side, invisible from the inside of  the vase. Otherwise in excellent condition.

H 38,7 - 38 cm

Condition: (UV-checked)
- Both vases in excellent condition, with minor superficial wear.

H 58,8 cm

Condition: (UV-checked)
- Both excellent.

H 23 cm

Condition: (UV-checked)
- Both vases in excellent condition, with small superficial baking related glaze faults.

H 60,5 cm

Condition: (UV-checked)
- The left vase with a filled rim chip of ca. 2,5 x 2,5 cm and two cracks of the top rim, presumably caused by a bump. The bottom side with a number of glaze lines, invisible from the inside of the vase.
- The second vase with a chip of the top rim of ca. 3 x 1 cm and another retouched smaller rim chip with a short related hairline of 2 cm. The bottom side with a Y-shaped glaze line, which is invisible from the inside.

H ca. 28,5 cm 

Condition: (UV-checked)
- All four in very good condition with normal minor superficial wear.

Dia.: 16,8 cm

Condition:
- Excellent.

H 61,7 - 57,7 cm (the qianjiang cai vase with and without base)

H 60,7 - 57,5 cm (the double design vase with and without base)

Condition: (UV-checked)
- The vase on the left with a ca. 3 cm hairline on the rim.
- The vase on the right with two tight ca. 10 cm vertical hairlines in the body, both invisible to the naked eye but showing up under UV-light.

H 34,4 cm (the vase)

H 14,6 cm - Dia.: 35 cm (the bowl)

Condition: (UV-checked)
- Both excellent.

H 52 cm

Condition: (UV-checked)
- Excellent.

H 14,3 cm

Condition: (UV-checked)
- Excellent.

H 8,8 cm 

Condition: (UV-checked)
- Excellent.

Plaque: 39 x 27,2 cm

Frame: 49 x 36,5 cm

Condition: (UV-checked)
- The plaque generally in excellent condition, with minor superficial wear.
- The frame with some superficial scuff marks as visible on the photos.

H 30 cm

Condition: (UV-checked)
- In excellent condition.

Dia.: 15 - 7,5 cm (the largest and the smallest saucer)

This lot consist of 127 saucers.

Condition: (UV-checked)
- This extensive lot of saucers generally in very good condition.
- 56 saucers in excellent condition.
- 44 saucers in very good condition, with minimal small superficial rim chips.
- 26 saucers in good condition, with one hairline and/or some small superficial rim chips.
- 1 saucer in less good condition, with a hairline, some superficial rim chips and crazing of the glaze.

H 17,2 cm

Condition: (UV-checked)
- Excellent.

H 39 cm

Condition: (UV-checked)
- Very good, with superficial wear.

H 7,5 - 4,5 cm (the tallest and the smallest cup)

Dia.: 14,5 - 10,7 cm (the largest and the smallest saucer)

Please note: the pair of famille rose style cups and saucers with a flower vase and a cat are Paris made (Samson).

Condition: (UV-checked)
- Four cups and saucers in excellent condition, with minor superficial wear.
- The rest of the cups and saucers with hairline(s) and/or chip(s).

Work: 111 x 31 cm

Frame: 176,5 x 49,9 cm

Condition: (UV-checked)
- Plaque excellent, wood with negligible minor wear.

27,4 x 19,1 cm (the celadon charger)

H 25,5 - 20,5 cm (the blanc de Chine figures)

H 12,5 - L 13,3 cm (the teapot with floral design)

H 9 - L 19 cm (the teapot with figurative design)

H 7,3 cm - Dia.: 14,8 cm (the blue and white bowl)

H 7,2 - L 9,5 cm (the cups)

Condition: (UV-checked)
- The teapot with double happiness design generally in very good condition, with minor superficial wear.
- The rest of the items all with damaged, please refer to the photos to have a better image.

 

H 25,8 cm

Condition:
- Quasi excellent, with superficial crazing and visible wear to the gilding.

The base with a seal mark.

H 22,6 - 22,5 cm 

Condition: Both excellent.

Both figures with a seal mark.

H 31 cm

Condition: (UV-checked)
- In excellent condition.
- The back and base with a visible baking crack.
- Minor baking flaws throughout.

H 20,7 cm

Condition: (UV-checked)
- Traces of gilding throughout.
- A number of visible casting flaws throughout, as well as a few small losses and superficial wear.

H 19 - L 23,5 cm

Condition:
- The tail somewhat loose but still attached to the body.
- A small repair to the body, as well as a few small dents.
- Minor wear along the edges.

H 35 - L 29 cm

Condition: (UV-checked)
- The left elephant vase with normal superficial surface wear. The top section with the vase with minor losses from the extremities. The elephant with one ear reattached with pewter. Misses one of the two tusks and the other tusk replaced with pewter as wel as the tip of the tail. The underside of the belly with a superficial scratching marks between the two back legs.
- The second elephant vase with normal superficial surface wear and minor losses of the extremities of the top section.  The top rim of the vase lacks a piece as visible on the photos. Furthermore the elephant lacks a part of the tail and both ears. Both tusks with the tips replaced with pewter.

H 25 - L 21 cm

Condition: (UV-checked)
- The belly of the mythical animal with probably a replaced piece of ca. 4 x 4 cm. The vase glued to the back of the animal with some traces of glue visible. The foot of the vase with some irregularities and wear.

H 11 - 7,9 cm (with and without base)

L 17 cm 

Condition: (UV-checked)
- Generally in very good condition, with normal superficial wear. The seam between the two halves slightly visible.
- One foot of the wooden stand is missing.

H 8 cm - Dia.: 22,5 cm

Condition: (UV-checked)
- The censer generally in good condition, with some superficial scuff marks, superficial wear and some spots with irregularities of the surface. There are some small superficial dents and two larger ones on the top rim. The bottom with some superficial scratches as can be seen in the photo.

H 37 cm

Condition:
- The censer with a repaired hole through the middle of the base.

H 29,5 cm

Condition: (UV-checked)
- The cover with normal superficial wear. The lion lacks one ear. The rim somewhat deformed and with a short tear in the rim.
- The censer with normal superficial wear and irregularities. One handle with a section broken of and reglued with related lacking chips.

H 47 cm

Condition: (UV-checked)
- The censer and cover with superficial wear, some superficial casting flaws, some areas with verdigris and an important amount superficial scuff marks.

H 16,1 - L 17,1 cm

Condition: (UV-checked)
- With normal superficial wear and irregularities of the surface. Probably an area of ca. 3 x 3 cm replaced on the opposite side where the cup is marked. A very small casting related hole between one leg and the bottom of the cup, otherwise in very good condition.

H 30,5 cm

Condition: (UV-checked)
- Generally in very good condition, with normal superficial wear and irregularities. The surfaces with verdigris throughout. The foot with an old pewter repaired hole. The bottomside with a few scuff marks as visible on the photo.

H 39,5 cm

Condition: (UV-checked)
- One handle loose at some point, and reattached.
- In the upper band, two cracks are reinforced.
- A small hole in the foot.
- Superficial cracks, surface wear and minor damages throughout.

H 18,3 - 9,7 cm (with and without base)

Condition: (UV-checked)
- The censer generally in good condition, with normal superficial wear. A number of very small holes as reslut of casting flaws. The top rim with a small pewter repaired chip next to the central mask which is slightly deformed.

H 27,2 cm

Both marked on the inside.

Condition:
- The one on the right: crack to side of cover, encrustation to an important area on the top of the cover and the finial probably replaced. The vessel with a probably repaired section on the rim, a small punctured hole to the body and some tension cracks throughout. Superficial patination and encrustation on in- and outside. The base possibly replaced or reinforced from below, the green patina possibly applied.
- The one on the left: cver reinforced by soldering on the inside, finial probably replaced. The vessel with two holes just above the foot, a few minor repairs and solder consolidations throughout. Superficial patination and encrustation on in- and outside.

H 31,1 cm

Condition:
- The cover with a small tear to the inner rim.
- The censer with a hole through one of the feet, otherwise good with superficial wear.

H 51 cm

Condition:
- Several repairs to the body and the lower part.

H 29,5 cm

Condition: (UV-checked)
- The vase generally in good condition, with normal superficial wear. The vase with old pewter repairs, covering approximately 30% of the vase.

H 6 cm

Condition: Small dent on the rim, otherwise very good.

H 26,5 cm - Dia.: 50 cm 

Condition: (UV-checked)
- The base with a punctured hole.
- The feet probably reattached, visibly mended on the inside (three white sections).
- A number of visible cracks.
- Superficial patination throughout.

H 40,2 cm

Condition: (UV-checked)
- Very good, minor superficial wear.

H 41,8 cm

Condition:
- The base likely reattached.
- Minor casting flaws throughout.
- Some irregularities along the rim and base.

H 98 - 97 cm

Condition:
- One in reasonable condition with a limited tension crack which appears to have been reinforced with glue on the inside. Further minor superficial wear and a few small superficial chips around the foot. An unfortunate soul decided to mark the price using marker in the past (2 - 500 fr). This vase is marked on the base.
- One in fair condition with a larger horizontal tension crack, with a number of related extensions, generously reinforced with glue on the inside. Further minor superficial wear and a few small superficial chips around the foot.

Dia.: 32 cm

Condition: (UV-checked)
- A superficial chip to the unglazed central design.
- Otherwise in good condition with minor superficial wear, some glaze loss to the feet.

The exterior with moulded 'Ba gua' (eight trigram) decoration.

 

Provenance:

- The reverse with a 'Christie's London' label (278/2786).

- Part of the exhibition 'China. Cultuur vroeger en nu', Sint-Pietersabdij, Ghent, 8 December 1979 to 27 January 1980, no. 185. See also: Nicole De Bisscop and Frank Uytterhaegen, 'China. Cultuur vroeger en nu', Centrum voor Kunst en Cultuur & Stad Gent, 1979.

H 7,3 cm - Dia:. 35,9 cm

Condition: (UV-checked)
- With a number of superficial rim chips filled and restored, minor superficial wear to the overglaze enamels.

H 7,3 cm - Dia.: 34 cm 

Condition: (UV-checked)
- Broken across and restored.

Dia:. 22,6 cm

Condition: (UV-checked)
- In good condition, with a few small superficial rim chips.

Dia.: 22,4 cm

Condition: (UV-checked)
- Excellent.

Ref.:

- The decor of this plate based on a work by the French painter Jean-Antoine Watteau (Valenciennes, 1684 - Nogent-sur-Marne, 1721), nowadays part of the collection of The Louvre, Paris (link).

Dia.: 28,5 - 21,3 cm (the largest and the smallest dish)

Condition: (UV-checked)
- Double peacock dish (top middle): small rim chips, 2-3 cm hairline.
- Floral plate (top left): very good, minor superficial wear.
- Flower basket plate (top right): restored rim chip with related 3 cm hairline.
- Octagonal plate (bottom left): small rim chips.
- Floral plate (bottom, second from left): 5 cm glaze line in center, on the back only, otherwise excellent.
- Imari style plate (bottom, third from left): Y-shaped hairline in center.
- Fish plate (bottom, third from right): rim chips, 4 cm hairline.
- Floral plate (bottom, second from right): small repair on rim.
- Floral plate (far right): hairlines in center, rim chips.

Dia.: 21,1 cm

Condition: (UV-checked)
- The plate with restoration and overspraying, to cover two hairlines and some small rim chips. The restoration at some points worn. The centre of the plate with a glaze line.

Dia.: 13,3 cm

Condition:
- One reglued.
- One with rim chips and a hairline.

Dia:. 21,6 cm

Condition: (UV-checked)
- The plate slightly warped but generally in excellent condition, with minor superficial wear.

H 9,5 - L 15,2 cm

Condition: (UV-checked)
- The cover with a rim chip and a related 5 cm hairline restored. The tip of the finial slightly retouched.
- The teapot with the tip of the spout restored and oversprayed. The handle with two breaks, reattached and oversprayed.

H 12,5 - L 16,5 cm

Condition: (UV-checked)
- Some restoration to the tip of the spout and the cover, the rim possibly slightly reduced, otherwise in good condition.

Dia.: 39 cm

Condition: (UV-checked)
- Excellent, minor superficial wear.

Dia.: 32,7 cm

Condition: (UV-checked)
- In very good condition, with minor superficial wear.

Dia.: 25,6 cm

Condition: (UV-checked)
- One excellent, one with a small rim chip.

H 9,6 - L 26,3 cm

Condition: (UV-checked)
- Generally in very good condition, with minor superficial wear. The handle with a small superficial chip of the glaze.

H 32 - 28 cm (with and without base) 

Condition:
- Very good, minor superficial wear.

Work: ca. 57,5 x 39 cm

Frame: 92,5 x 62,5 cm

 Condition:
- The painting generally in good condition. Typical superficial creasing and minor pigment losses throughout.
- Fixed using staples on the side and glue to the textile on top and bottom.

Provenance:

- A Danish private collection.

H 21,5 - 11 cm (the tallest and the smallest figure)

Condition:
- Bottom left: dent to base on front.
- Otherwise all in good condition with normal minor wear and some negligible deformations.

H 26 cm

Condition: (UV-checked)
- The cover with two reglued breaks to the extremities, one of these with a small chip.
- The ewer in very good condition with superficial crazing throughout.

Provenance:
- A Belgian private collection.
- With a 1926 exhibition label (N° 11).

H 16,4 cm - Dia.: 29 cm

Condition: (UV-checked)
- Excellent.

H 23 cm - Dia.: 28,2 cm

Condition: (UV-checked)
- A long hairline through the side of the bowl.
- Lacking the white glass tube connecting the bowl and the foot.

H 34,5 cm - Dia.: 139 cm

 

Designed originally in 1962 for the home of Jacques Martin in Rio, Brazil, The Rio Table by Charlotte Perriand was also adapted in 1962 and 1967 in a larger size for the Japanese Embassy in Paris. The re-edition by Cassina is the original smaller 1962 version. Made up of six staggered segments of different radii, an outer edge in solid wood, inserts in Viennese straw and a central hole which becomes the centre of its spatial gravity. The beauty of this piece lies in its unique decorative elements and its extreme functionality.

 

Charlotte Perriand was a French architect and designer. Charlotte liked to take her time in a space before starting the design process and placed emphasis on functionality, durability and items that could be mass produced. At age 24 Charlotte joined the studio of Le Corbusier, where she experimented with steel, aluminum, and glass, developing a series of tubular steel chairs that remain a modern icon. In 1940, she traveled to Japan to advise the government on how to export products to the West, and spent WWII exiled in Vietnam, where she discovered local woodwork and weaving techniques and embraced natural materials. 

Cassina was established in 1927 in the Northern region of Brianza, Italy, an area noted for its skilled artisans and woodworkers. Rooted in high quality Italian craftsmanship Cassina began acquiring licenses to reproduce some of the worlds most well renowned furniture designs. Cassina’s mission is to provide extremely high quality products by paying close attention to every step of the manufacturing process. From woodworking to upholstery, their attention to detail and perfection is unmatched. The incredible quality of materials leads to the most amazing expression of form and function celebrating new design as well as highlighting notable designs of the past.

 

Interior photos by Kato Peeters.

 

Condition: (UV-checked)

- In excellent condition.

H 69,5 - L 75 - D 70 cm

 

Condition: (UV-checked)

- Both chairs in very good condition, with negligible traces of use.

H 69 - L 323 - D 170 cm (dimensions based on the current set-up)

 

With matching neck support and pillows.

 

The 'Bend' Sofa is a modular sofa with a great personality. It seems to have been moulded by an artist’s hand, but actually originates from the study of 3D models and digital research. Its irregular shape enhances comfort. The very name 'Bend' Sofa effectively expresses the idea of ​​movement obtained by the alternation of solids and voids, underlined by the contrasting stitching that gives rise to a further design on its irregular and sinuous surface. The corrugated modules, assembled starting from seat, ottoman and corner elements, develop a large number of configurations, from linear versions in compact dimensions to large compositions, as well as original and alternative solutions that stand outside traditional canons.

 

Originally from Oviedo, Spain, Patricia Urquiola studied architecture and design at the Universidad Politécnica de Madrid and completed her studies at the Politecnico di Milano where she graduated under the mentorship of Achille Castiglioni. Her career highlights include: assistant lecturer to Achille Castiglioni and Eugenio Bettinelli in Milan and Paris, responsible for the new product development office of De Padova, working with Vico Magistretti, head of Lissoni Associati’s design group… Patricia Urquiola starts each project by building an empathic connection with the user that will eventually interact with her designs, something she learned from Achille Castiglioni, establishing the “fundamental element” as he used to call, the basis of each project which always keeps her on track and accompanies her whole design process: thinking spaces or objects in relation to people. Pushing the limits of research and technology, Patricia Urquiola constantly experiments and dares to move towards better design and architecture, following her earlier mentors’ teachings such as Vico Magistretti and Maddalena de Padova. Used to confront complex processes, working with scales from micro to macro, she works with the available technology to go beyond the limits of what has been already experimented. 

Studio Urquiola is frequently asked to design not only objects and architectures but also to think about the future of mobility, workplace and production cycles. Creating links between craftsmanship and industrial research, the heritage together with innovation and technology, Patricia Urquiola also drives companies she works with to upcycle once-waste material and tries to re-image entire processes leading them to change, evolution and innovation. Patricia Urquiola believes in an original design point of view merging humanistic, technological and social approaches. Her design thinking is the intersection of challenges and breaking prejudices, finding unexpected connections between the familiar and the unexplored.

Patricia Urquiola has been the Creative Director of Cassina since 2015 and works with important Italian and international design companies, including Agape, Alessi, Axor-Hansgrohe, B&B Italia, Baccarat, Boffi, Budri, De Padova, Driade, Coedition, Ferragamo, Flos, Gan, Georg Jensen, Glas Italia, Haworth, Kartell, Kettal, Kvadrat, Listone Giordano, Louis Vuitton, Molteni, Moroso, Mutina, Rosenthal and Verywood… Amongst her latest projects in architecture are Il Sereno Hotel in Como, the Room Mate Giulia Hotel in Milan, the SD96 yacht for Sanlorenzo, Marienturm and Marienforum towers in Frankfurt, the spa of the Four Seasons Hotel Milan, The Jewellery Museum in Vicenza, the Mandarin Oriental Hotel in Barcelona, Das Stue Hotel in Berlin; showrooms and installations for Gianvito Rossi, BMW, Cassina, Missoni, Moroso, Molteni, Officine Panerai, H&M, Santoni and the general concept of Pitti Immagine in Florence…

Patricia Urquiola is part of the advisory board of the Politecnico of Milan and the Triennale Milano Museum. She taught the Master’s Degree in Interior Design at the Domus Academy in Milan (2013-2015) and has given lectures at Harvard University, Michigan University, Shenkar School of Engineering and Design in Israel, at the Alvar Aalto Academy in Finland, at the State University and Bocconi University in Milan. She has also given talks at countless cultural events, such as Design Shanghai, Design Week in Istanbul, the Expressive Design conference at the Vitra Design Museum, Weil am Rhein, Germany, the Bloomberg Design Conference in San Francisco, Festarch Perugia, the Mind Festival in Sarzana and the Mantova Literature Festival, among other events in Italy. She was an ambassador of the Milan Expo in 2015 (link).

 

Interior photos by Kato Peeters

 

Condition: (UV-checked)

- The sofa in excellent condition, with some very minor traces of use (some spots on the seats).

H 72 - L 363 - D 188 cm (dimensions based on the current set-up)

 

The structure in poplar plywood. Feet in ABS and PTU. Padding in polyurethane foam and Gellyfoam®. Undercover in polyamide. Cover partially in Lycra. Removable cover.

 

Francesco Binfaré (°1939 in Milan, Italy) achieved his artistic education under his father's direction and started working for Cassina in 1960. At first as a researcher for new technologies, then as Cesare Cassina's assistant for both new projects and the realization of prototypes. From 1969 to 1976 he was the director of the Centro Cassina and participated in the creation of several 20th C. design icons including Gateano Pesce's Up Series (1969) and Paolo Deganello's AEO chair (1973). He helped bring to fruition several other seminal Cassina projects - Toshiyuki Kita's Wink (1980), Getano Pesce's Tramonto a New York (1980) and Feltri (1987), and Paolo Deganello's Torso (1982). In 1992, Binfare was invited by Massimo Morozzi to design for Edra. His early work for Edra included L'Homme et la Femme (1993), Tangeri (1994) and Angels (1996) for Edra. In the 21st century, Binfare has created a number of new seating icons - On the Rocks (2004), Flap (2006), Absolu (2015), and Essential (2016).

 

Interior photos by Kato Peeters.

 

Condition: (UV-checked)

- In excellent condition.

Oblong.

 

Works by a.o. Henri Leys, Fanny Carr, V. Leemans, W. Toovey, G. Vertommen, L. Somers, Gustave, E. Delfosse, J. Marinus; D. Keyser, J. Verreyt, Thomas, etc.

A.o. several portraits related to the Peemans family, in addition to numerous romantic landscapes and scenes.

 

Condition: (UV-checked)

- A very interesting collection of original works (mostly pencil and watercolour), the works loose in the book (not glued; many works with at the backside in the corners non-disturbing traces of adhesion). Most works dated and signed/monogrammed.

- Most of the works in very good condition. Some works with minor damage (mostly to the corners, some corners missing). Some with negligible stains and foxing (two works with rather a more severe foxing).

- Gilt spine with tears, cover with wear and traces of use. Some sections a bit loose. Album with minor traces of use and negligible foxing.

- Overall a very nice collection of original works by different artists in a somewhat worn album.

Work: ca. 16 x 15,5 cm

Frame: 35,5 x 34,3 cm

 

Provenance:

- Private collection, Belgium.

 

Condition: (UV-checked)

- The work in good and hangable condition, with minor damage and a small hole around the right foot of Pierrot. 

- Negligible foxing and the top and bottom corner of the 'yellow lady' with an almost invisible trace of water. The passe-partout on the left side with traces of water.

 

 

Work: ca. 46 x 36 cm

Frame: 72,3 X 62,3 cm

 

Condition: (UV-checked)

- The work in very good to excellent and hangable condition.

- Not inspected outside the frame.

Work: ca. 59,2 x 51,5 cm

Frame: 66,5 x 59,8 cm

 

Condition: (UV-checked)

- The painting in good and hangable condition.

- Relined, with normal and minor damage to the borders.

- Some overpaint here and there, but mainly around the figure and not the figure itself. 

Work: 43 x 29 cm

Frame: 58,4 x 44,7 cm

 

The reverse with an attribution to the Italian master Guido Reni (1575-1642). In addition to the name and circle  of Reni, the name and the circle of the French artist Nicolas Poussin (1594-1665) also were dropped by some experts.

 

Provenance:

- Former collection of the Dukes of Arenberg, according to a note on the reverse (of the frame).

 

Condition: (UV-checked)

- This very interesting and qualitative painting in very good and hangable condition.

- The UV-light shows the typical colour of the varnish.

- Negligible flaking paint: bottom left just above the right handle of the pot, just beneath the right wing of the angel on the right side. The right top corner with minor flaking paint and retouches.

- The robe of the virgin with strong craquelures. 

- A negligible, hardly visible dent in the right wing of the right angel.

- Negligible wear to the borders due to the framing.

- Overall, in very good condition.

Work: 86,5 x 58,5 cm

Frame: 95,5 x 67,5 cm

 

The painting illegibly signed/monogrammed and dated in the right bottom corner.

 

Provenance:

- The reverse with some auction information: the painting was lot 123 and estimated at BEF 500.000/600.000, most probably at Palais des Beaux-Arts, Brussels.

 

Condition: (UV-Checked)

- The painting in good and hangable condition.

- The panel consists of two parts, each very slightly bent and both parts with horizontal cracks (top with one crack, bottom with two), with some old reinforcements.

- With restorations and overpaint (in different time periodes), especially the zones of the cracks and the trees in the central area, and not the central scene and the main figures.

 

Work: 49 x 45,5 cm

Frame: 60 x 56,3 cm

 

The right bottom corner with a difficult to read signature (and date?).

 

Condition: (UV-checked)

- This intriguing painting in very good and hangable condition.

- UV-light shows the typical colour of the varnish, no restoration can be seen.

- With a beautiful faint network of craquelures, the normal and negligible wear to the borders due to the framing, negligible flaking paint and the left bottom corner with a hardly visible dent.

Work: 91,8 x 50,7 cm

 

The painting part of the RKD database and attributed to Pauwels Casteels, act. 1664-1677 (link).

 

Condition: (UV-checked)

- The painting in very good and hangable condition.

- The UV-light shows foremost the typical colour of the varnish. Some restaurations visible (in at least two phases), but hardly touching the central scene (see additional UV-light pictures). Some touch-ups (e.g. on the helmets of some soldiers).

- Negligible and hardly visible wear at some very small spots.

 

Work: ca. 52 x 42,5 cm

Frame: 70,5 x 60,5 cm

 

Provenance:

- Private collection, Belgium.

 

Condition: (UV-checked)

- The relined painting in quite good and hangable condition.

- UV-light shows the typical colour of the varnish, with the exception of a small retouch at the bottom left.

- The painting most probably relined due to a cut in the canvas in the right top corner. The old restoration visible in a quarter of the painting (top right). In the same place now some cracks in the paint.

- The bottom left with traces of a signature and a date, most probably 1658.

Work: 128 x 96,4 cm

 

Condition: (UV-checked)

- This powerful early 17th C. work without doubt in good and hangable condition.

- Relined, most probably because of a tear in the canvas at ca. 2/3 height.

- UV-light shows foremost the typical colour of the varnish, with some retouches and older restorations.

- The right border with very minor damage, due to an earlier framing. 

- Minor scratch in the foreground and some dirt. 

- A real eye-catcher. 

 

Work: 101 x 76 cm

Frame: 118,5 x 95,3 cm

 

Condition: (UV-checked)

- The painting in good and hangable condition.

- Relined and with a faint network of craquelures.

- Some touch ups. Some overpaint in the sky zone. The sea with some older restorations.

Work: 112,5 x 102 cm

Frame: 151 x 139,5 cm

 

Condition: (UV-checked)

- The painting in very good and hangable condition. Impressive frame.

- Some minor and normal damage to the borders, due to the framing.

- Uv-light shows foremost the typical colour of the varnish.

- Some retouches here and there (see additional photos).

Work: 75 x 67,3 cm

 

Condition: (UV-checked)

- The painting in good and hangable condition, but it could benefit of a minor cleaning.

- Minor damage to the borders, with some flaking paint.

- Relined, most probably due some minor damage to the original canvas in the left top corner and with some overpaint as well.

- UV-light shows foremost the typical colour of the varnish, with some negligible retouches.

Work: 65 x 54,2 cm

Frame: 81,5 x 71 cm

 

Condition: (UV-checked)

- The painting in good and hangable condition.

- Relined because of some tears in the original canvas.

- With overpaint, especially in the proximity of the tears.

Work: 52,3 x 38 cm

Frame: 65 x 50,7 cm

 

The beach seen from the top of the Keizerstraat. On the left the 'Kalhuis' and on the right the 'Armenbrug', which offered (paid) access to the beach of Scheveningen.

 

Condition: (UV-checked)

- The painting in good and hangable condition.

- Relined, with the normal craquelures and with some overpaint especially on the left side and in the cloud zone.

Work: 40 x 29,8 cm

Frame: 63,2 x 53 cm

 

Condition: (UV-checked)

- The painting in very good and hangable condition, with negligible damage to the borders due to the framing and some minor retouches (purple-brown accents).

Work: 55 x 39,5 cm

Frame: 59,2 x 44 cm

Condition: (UV-checked)
- In very good and hangable condition.
- A small number of minor superficial touch-ups throughout.
- Minor superficial stains to the bottom right corner.
- Both top corners with an air bubble due to the loosening of the canvas from the board.

Provenance:

- Private collection, Belgium.

Work: 55 x 39,5 cm

Frame: 59,3 x 43,6 cm

 Condition: (UV-checked)
- In good hangable condition.
- Minor flaking to the top right corner.
- Typical negligible wear to the painting on the borders due to framing
- A small number of minor superficial touch-ups throughout.

Provenance:

- Private collection, Belgium.

Work: 55,3 x 39,5 cm

Frame: 59,2 x 44 cm

 Condition: (UV-checked)
- In very good and hangable condition.
- A small number of minor superficial touch-ups throughout.

Provenance:

- Private collection, Belgium.

Work: 64,3 x 49,8 cm

 

Maria Christina Boone (1872-1925) later married Eduard Janssens.

 

Condition: (UV-checked)

- The portrait in very good and hangable condition.

- Negligible wear (a.o. nostril), relined and negligible damage to the borders, due to a previous framing. 

- The UV-light shows foremost the typical colour of the varnish: some retouches can be seen (especially the central part of the hair, the right cheek and the top border).

Work: 130,3 x 90,4 cm

Frame: 204 x 135,5 cm

 

The work monogrammed 'CVJ' (?).

 

Provenance:

- 'Die Sammlung der Markgrafen und Großherzöge von Baden', Sotheby's, Baden-Baden, Oktober 1995, lot 3751.

- Private collection, France.

 

Condition: (UV-checked)

- The painting without doubt in good and hangable condition, with the usual minor wear to the borders due to the framing (esp. right side).

- The extraordinary frame in good condition, with minor missing pieces (for example, some leaves that border the work and two eagles on the left with missing heads).

- UV-light shows foremost the typical colour of the varnish, with some minor retouches, especially around the face. 

 

Work: 33,7 x 26,8 cm

 

The signature difficult to read (Degas?).

 

Condition: (UV-checked)

- The painting in good condition.

- Glued on panel.

- Three borders with some overpaint (left, bottom right), not touching the figures, and minor traces of handling. 

- The UV-light shows the typical colour of the varnish.

Work: 100 x 80 cm

Frame: 122 x 102 cm

 

Condition: (UV-checked)

- The painting in very good and without doubt hangable condition.

- Negligible and normal wear to the borders, due to the framing.

- The UV-light shows the typical colour of the varnish, no retouches can be seen.

 

Work: 44 x 30 cm

Frame: 69 x 56 cm

 

The reverse with two wax seals.

This work will be included in the artist's catalogue raisonné by Mr. Richard Comyn.

 

Condition: (UV-checked)

- The painting without doubt in very good and hangable condition.

- Some touch-ups, especially to the borders and in the riparian zone.

- Minor and usual wear to some borders, due to the framing.

 

Folio.

 

The book is copy number '0000'. This 'sumo edition' was originally not for sale and was presumably used as the last check before the start of the official production. The book is a majestic visual survey of David Hockney’s art. In it, Hockney takes stock of more than 60 years of work, from his teenage days at art school up to his recent extensive series of portraits, iPad drawings, and Yorkshire landscapes. 

 

Provenance:

- Private collection, Belgium.

 

Condition: (UV-checked)

- The book in very good condition, with no missing pages and no additional stamps.

- The paper dust jacket with minor damage to the corners and a horizontal wrinkle at the bottom at the front.

- Splits at some place somewhat (negligible)  'pronounced' due to the weight of the book. 

H 27,7 - L 16,8 - D 12,2 cm

 

The work marked 'Lenzkirch' and with the number '479264' and '1 million'. According to 'Lenzkircher Uhren. 1851-2001 (150 Jahre). Aus der Geschichte einer bemerkenswerten Uhrmacherzeit' (2001), this serial number refers to the first quarter of the 20th C. (Nieuwe Zakelijkheid - New Objectivity, link).

 

Condition: (UV-checked)

- The springs tested with the key and tension is present.

- The clock in very good and working condition with the normal and minor superficial wear and without pendulum. The clock doesn't strike the hours.

 

H 43 - L 26 cm

 

The dial marked 'Lepage et au Cler a Paris'.

The work inscribed '11658'.

 

Ref.:

- A similar clock can be seen on p. 430 in the 'Encyclopédie de la pendule française' by Pierre Kjelberg and p. 224 (584) in the 'French bronze clocks' by Elke Niehüser.

 

Condition: (UV-checked)

- The mantel clock in very good condition, with the usual minor wear to the gilt decoration.

- The springs tested with the key and tension is present.

- The bell and the pendulum not original.

Work: 14,5 x 9,5 cm

Frame: 23 x 17,5 cm

 

Condition: (UV-checked)

- All three micro mosaic panels in very good condition with minor superficial wear and the normal irregularities.

- The panel on the right side with a small missing piece central in the scene and most probably, but hardly visible, in the right bottom corner.

H 47 - L 76 - D 33 cm

 

About the artist, see: link.

 

Condition: (UV-checked)

- The ornament in good condition, with the normal wear.