Rapport d'état

H 30 cm

Condition: (UV-checked)
- The rim with a few chips, otherwise in good condition.

H 22,5 cm

Condition: (UV-checked)
- With several restored breaks throughout the jug.

Dia.: 35,5 cm

Condition: (UV-checked)
- Excellent.

Dia.: 13,6 cm (the saucer)

H 8,7 cm - Dia.: 9 cm (the cup)

Condition: (UV-checked)
- The cup: a small superficial 1 mm chip on the rim, with related ca. 15 mm hairline extending down from the rim just next to it, quasi invisible to the naked eye but showing under UV-light.
- The saucer: a hairline running across the middle, over ca. 90% of the diameter, quasi invisible to the naked eye but showing under UV-light.
- The lid: excellent.

 

Decorated with the historic subject of the young French king Louis IX with his mother, Blanche of Castille, the border of the tea bowl inscribed 'L'empire de la vertu est etabi jusq'au bout de l'uners' (L'empire de la vertu establi jusqu'au bout de l'universe).

 

Provenance:

- Ex-collection Luis Alegria Lda, Porto (link).

 

Ref.:

- Christie's, New York, Chinese export art featuring property from the Tibor collection (online 19271), Jan. 7-20, 2021, lot 4, for a similar cup and saucer (sold USD 4.000, link).

H 7 cm - Dia.: 16 cm

 

Condition: (UV-checked)

- Rim with a restoration (ca. 3,5 cm) and a related hairline of 6,5 cm. Baking flaw to the bottom rim. Furthermore in good condition.

Dia.: 36,5 cm

 

Condition: (UV-checked)

- The dish in very good condition, with negligible superficial wear.

- Thr rim with a small glaze chip and the reverse of the rim with a superficial chip. 

Dia.: 35,5 cm

 

Condition: (UV-checked)

- In general in good condition, with the normal superficial wear.

- The border with glaze flaking all around, with two related small chips to the reverse of the dish. 

Dia.: 38,5 - 38 cm

Condition: (UV-checked)
- Both in excellent condition.

Dia.: 21,5 - 14 cm (the largest and the smallest item)

 

Condition: (UV-checked)

- Small plates: one in very good condition, one in good condition with negligible rim chips.

- The 'falcon' plate: in good condition with a few negligible spots of glaze loss along the rim.

- The 'birds in the landscape' plates : one with a baking flaw in the middle and a related hairline across the base, one in good condition with a few very small rim chips.

H 30 cm

Condition: (UV-checked)
- Both good with small chips to top and base rim.

Dia.: 13,5 cm (the saucer)

H 7,5 cm - Dia.: 8 cm (the cup)

Condition: (UV-checked)
- The saucer in very good condition.
- The cup with a filled rim chip with a short related hairline and another small rim chip filled on the exterior.

Dia.: 11 cm (the saucers)

H 4 cm - Dia.: 6,5 cm (the cups)

Condition: (UV-checked)
- Both saucers in quasi excellent condition, each with a 1 mm chip on the rim.
- One cup quasi excellent with a 1 mm chip on the rim.
- One cup with four small 1 mm chips on the rim.

H 14 - L 14 cm

Condition: Very good, small spots of glaze loss to the handle.

H 44,5 cm

Condition: (UV-checked)
- The lid in good condition but lacking one of the petals to the finial. The finial with a further small flake and another small spot of glaze loss to one of the applied flowers.
- The vase with a vertical ca. 3 cm hairline on the rim and a number of small chips to the applied design, please refer to the images for a clear view.

Provenance: A Dutch private collection.

H 15,5 cm

 

Condition: (UV-checked)

- In very good condition, with minor fritting to the top rim and baking flaws on the inside. 

Dia.: 13,5 - 11 cm (the largest and the smallest saucer)

H 4,5 - 3,5 cm (the cups)

Condition: (UV-checked)
- Saucer on the far left: three rim chips.
- Mandarin saucer, second from the left: large rim chip.
- Small floral cup: a number of rim chips.
- Teapot stand: good.
- Large floral cup: three hairlines.
- Mandarin saucer, second from the right: good.
- Saucer on the far right: 6 cm hairline and numerous small rim chips.

Dia.: 11 cm (the saucer)

H 3,5 cm - Dia.: 6,5 cm (the cup)

 

Condition: (UV-checked)

- The cup with three hairlines and minor fritting, furthermore in good condition.

- The saucer in good condition.

 

Dia.: 11 cm (the saucer)

H 4 cm - Dia.: 6,5 cm (the cup)

Condition: (UV-checked)
- The saucer quasi excellent with minor spots of glaze loss to the underside of the tips on the rim.
- The cup with a superficial 1 mm chip to one of the tips on the rim.

Dia.: 12 cm  (the saucer)

H 6 cm (the cup)

 Condition: (UV-checked)
- Both in excellent condition.
- Minor wear to the overglaze blue enamel on the ribbon on the saucer.

Ref.:

- Kroes, Chinese armorial porcelain for the Dutch market, pp. 468-469.

H 3 - L 16 - D 11 cm

 

Condition: (UV-checked)

- In very good condition.

H 60 cm

Condition: (UV-checked)
- Excellent, apart from a reglued break to one of the lion handles.

H 32,5 cm

 

Condition: (UV-checked)

- Both in very good condition.

H 7,5 cm - Dia.: 9,5 cm

Condition: (UV-checked)
- One cover excellent.
- One bowl good with chips to the base.
- One cover with a rim chip.
- One bowl with a chip to the inner rim of the base and a very small rim chip.

H 64 cm

Condition: (UV-checked)
- The lid excellent, apart from a reglued break to the lion finial, with a few small flakes missing around the break.
- The vase with a small glaze default on the rim, small chips to the applied masks and a star-shaped hairline to the base, only visible on the inside, under UV-light.

H 58,5 cm

 

Condition: (UV-checked)

- In good condition, with the normal superficial wear. Glaze chip to one of the ears. The body with a hardly visible hairline of ca. 9 cm. Minor glaze losses and baking flaws to the bottom rim.

H 60,5 cm

Condition: (UV-checked)
- Excellent.

H 19 cm - Dia.: 25 cm

Condition: (UV-checked)
- Quasi excellent, with a glaze line on the foot.

H 28 cm

Condition: (UV-checked)
- Excellent.

H 47 - 15,5 cm (the tallest and the smallest vase)

Condition:
- All five in excellent condition.

H 60,5 cm

Condition: (UV-checked)
- Quasi excellent, with a few small flakes on the rim and a chip to one of the lion handles.

H 57,5 cm

Condition: (UV-checked)
- The famille rose vase excellent.
- The celadon vase quasi excellent, with a faint 15 mm glaze line to the inner rim, not showing on the outside.

Dia.: 13,5 cm (the saucers)

H 4,5 cm - Dia.: 8,5 cm (the cups)

Condition: (UV-checked)
- Four saucers excellent.
- Two saucers with a very small chip on the underside of the rim, otherwise excellent.
- Five cups excellent.
- One cup with a faint hairline to the base.

H 14,5 cm - Dia.: 10,5 cm

 

Condition: (UV-checked)

- In very good condition, with the normal superficial wear and minor glaze losses to top and bottom rim.

Dia.: 23,2 - 22,6 cm (the largest and the smallest plate)

Condition:
- Six plates good with a small number of small superficial rim chips.
- One with a large rim chip with related hairline.

H 22,5 cm

 

Provenance:

- Ex-collection Robert Mc Pherson (n° 26592, link).

A Kangxi (1662-1722) Blanc de Chine Porcelain, Dehua Kilns, Fujian Province, late 17th. This Blanc de Chine porcelain group depicts Guanyin holding a child, with her acolytes either side and a dragon below. The mould-made construction which is rather lightly potted, combined with a small amount of hand-work indicates that this model was made towards the end of the 17th century rather than earlier. Figures of Guanyin are by far the most common of all Blanc de Chine figures and indeed one of the most common images in Chinese figurative art. Guanyin was the goddess of mercy, She was especially revered in the area where this figure was produced ; Dehua in Fujian Province. But her origins stem from Tibetan Buddhism, she was originally the patron saint of Tibetan Buddhism `Avalokitesvara`. Guanyin is actually the shorter form of the name Guan shi yin, which means “one who observes the voices of the world.” True to her name, Guanyin listens to and understands the worries that plague man’s existence. Because of her mercy and generosity, Guanyin is the most-loved of China`s divinities, she is the one people turn to for assistance in their everyday lives. Guanyin is specially venerated by those who are hoping to have children or those who are about to set out for sea. Guanyin is usually portrayed wearing a white cape. On her head is a crown in the style of the Amitabha-buddha. She is shown with a child on her lap, flanked by her two attendants, Longnu (girl) and Shancai (boy). She is flanked by two rocky pedestals, one supporting a book, the other a vase. Guanyin has been given the same qualities as the Virgin Mary of Catholic theology, which is why she is sometimes portrayed holding a child in her arms. Indeed some Blanc de Chine figures are of the the Virgin Mary with child, an interesting mix of East and West. While the worship of Guanyin could be traced historically from India, she is the star of countless legends and folk tales in China. Guanyin`s home on earth was the Putuo mountains, located on an island on China’s eastern coast to the south of Shanghai. In China, Putuo-shan is one of the most sacred places in Buddhism and the temple dedicated to Guanyin on the mountain is one of the most important pilgrimage sites for Buddhists and non-Buddhists alike. Guanyin`s birth is celebrated on the 19th day of February, and her enlightenment is celebrated on the 19th of September. On those days, the pilgrims flock to Putuo mountain.

 

Condition: (UV-checked)

- In very good condition with small chips to Guanyin's fingers and a very small flake chip to the inside of her cowl.

 

H 4 - Dia.: 7,3 cm (the cups)

Dia.: 11,4 cm (the saucers)

Condition:
- One saucer in very good condition, three saucers with a 2-3 cm hairline each.
- Each cup with a ca. 3 cm hairline.

Dia.: 22,5 cm

Condition:
- Four excellent.
- Two with a small superficial chip on the rim.

H 5 cm - Dia.: 6 cm

Condition: (UV-checked)
- Both in excellent condition.

H 11 cm - Dia.: 14,5 cm

Condition: (UV-checked)
- Very good, with negligible wear to the gilding.

H 42 - L 122,5 - D 46 cm

 

Condition: (UV-checked)

- In very good condition, with superficial wear and traces of use. Minor water spots. Slightly discoloured.

53 x 28 cm (the fan open)

H 5,5 - L 33,3 - D 7 cm (the box)

Condition:
- The box in good condition with minor superficial wear.
- The fan with numerous repairs.

 

H 61,5 cm

Condition: (UV-checked)
- Small chips on the rim and to the applied dragons, otherwise good.

H 60 cm (incl. the mounts)

H 58,5 cm

Condition: (UV-checked)
- The lamp-mounted vase: excellent.
- The tallest vase: restored chips around the base.

H 41,5 cm

Condition: (UV-checked)
- Both vases and covers in excellent condition.

H 69 cm (incl the mounts)

The vases enamelled with boys at play in a garden and figures riding on a mythical beast (qilin) surrounded by boys playing musical instruments and holding a canopy depicting the auspicious scene of 'qilin delivering another worthy son'.

Condition:
- One in very good condition, one with a restored crack running down from the rim.

H 20 cm

Condition: (UV-checked)
- Excellent.

H 28 cm

Condition: (UV-checked)
- Excellent.

H 5 cm - Dia.: 6,5 cm

 

Condition: (UV-checked)

- In very good condition.

H 32,5 cm

Condition: (UV-checked)
- Excellent.

H 17,5 cm

Condition:
- Excellent, with negligible minor superficial wear.

H 4,5 cm - Dia.: 7,5 cm

 

Condition: (UV-checked)

- In very good condition, with minor superficial wear.

H 60 cm

Condition: (UV-checked)
- Excellent.

H 61,5 cm

Condition:
- One with a 5 cm hairline running down from the rim, a number of small rim chips and a hairline in the base.
- One with various reglued breaks.

H 44,5 cm

Condition: (UV-checked)
- One vase excellent, with a negligible glaze line on the inside of the vase.
- One vase with two small rim chips, a few baking spots on the rim and a baking flaw on the base.

H 16 cm

Condition: (UV-checked)
- Excellent.

H 44,5 cm

 

Condition: (UV-checked)

- One of the vases with a reglued break to the rim with related hairline, only visible under UV-light. The quality of the restoration very good. Small hairline to the body near the bottom (4 cm). Furthermore in good condition.

- The other vase in very good condition, with a scratch to the body. 

H 6,5 cm - Dia.: 15,5 cm

Condition: (UV-checked)

- In very good condition, with minor superficial wear.

H 61,5 cm

Condition: (UV-checked)
- A few small spots of glaze loss throughout, otherwise excellent.

H 30 cm

Condition: (UV-checked)
- Excellent, with a few baking spots along the rim and a faint scratch to the glaze in the lower part.

Dia.: 61,5 cm (the dish)

H 53 cm (the vase)

 Condition: (UV-checked)
- Both in very good condition with visible minor superficial wear throughout.

H 31,5 - 24,5 cm (with and without stand)

 

Condition: (UV-checked)
- In very good condition, with a few superficial flakes and baking flaws throughout.

H 59 cm

Condition: (UV-checked)
- Quasi excellent, with a faint ca. 3 cm horizontal glaze line just below the rim, only visible on the outside of the vase. Also a number of negligible baking flaws throughout.

H 60,5 - 31 cm (the largest and the smallest vase incl. the mounts)

Condition: (not checked below the mounts)
- The porcelain appearing good condition.
- The bronze appearing in good condition.
- Electrical wiring not tested.

H 9 cm - Dia.: 12 cm

Condition: (UV-checked)
- Both in excellent condition.

品相：（已用紫外线光检查）
- 一对全品。

H 43,5 cm

Condition: (UV-checked)
- A chip on the rim.
- The vase is a bit wobbly when standing.
- Otherwise in good condition.

H 56,5 cm

Condition: (UV-checked)
- A few very small spots of glaze loss on the vertical rims.
- Baking flaws to one of the handles.
- Minor superficial wear throughout.

H 42 - 39,5 cm (with and without base)

 

Condition: (UV-checked)

- Both vase and cover (maybe not original) in very good to perfect condition, with negligible superficial wear. The bottom rim of the vase with a hardly visible superficial minor chip (see the last picture).

 

H 45 cm

Condition: (UV-checked)
- One quasi excellent with a few small flakes to the unglazed foot.
- One with a small rim chip and a small repair to the rim.

H 12 cm

Condition: (UV-checked)
- Both in excellent condition.

H 7,5 - 7 cm (the snuff bottles)

Dia.: 10 - 9,5 cm (the saucers)

Condition: All in good condition.

H 44,5 - 43 cm

Condition: (UV-checked)
- The vase with figures excellent, apart from the drilled hole.
- The vase with lions with a vertical hairline and a drilled hole.

H 7,8 - 1,7 cm (the tallest and the smallest bird feeder)

Condition: (UV-checked)
- Eight in excellent condition.
- Bottom row, in the middle (famille rose with insects and flowers): 2 mm chip to one of the ears.
- Top row, fourth from the left (butterflies): a 2 mm chip to the inner rim.
- Top row, fifth from the left: baking flaw on the rim.

H 17 cm - Dia.: 19,5 cm

Condition: (UV-checked)
- Excellent, with minor superficial wear.

H 44,5 cm

Condition: (UV-checked)
- Excellent, with a small baking flaw just above the base.

H 19 cm

Condition: (UV-checked)
- A chip on the rim and a few around the base.
- The vertical rims worn, as well as the enamels throughout.

H 55,5 cm

Condition: (UV-checked)
- Small chips around the rim, otherwise in good condition.

H 13,5 - L 9,3 cm (the Imari jug)

H 9,8 cm (the bowls with cover)

Dia.: 13,5 cm (the stands to the bowls with covers)

H 4,8 - Dia.: 8,8 cm (the Imari cups)

H 5,7 - L 19,2 cm (the sauce boat)

H 7,2 - Dia.: 12,8 cm (the bowl, possibly Jian, Song dynasty)

Condition: (UV-checked)
- Black glazed bowl: rim chip.
- Verte biscuit dish: rim chip.
- Sauce boat: restored.
- Imari jug: two hairlines and a chip to the cover.
- Imari saucers: one with one, one with two hairlines.
- Imari cups: both excellent.
- Rice grain bowls: 3 excellent, 2 with a small outer rim chip, 1 with a 5 cm hairline.
- Rice grain covers: all excellent.
- Rice grain stands: almost all perfect, a few negligible 1 mm flakes on the rim.

H 59 cm

Condition: (UV-checked)
- A chip to one of the corners and a few small superficial rim chips, otherwise in very good condition.

H 22 cm (the jar and cover)

H 8 - Dia.: 21 cm (the bowl)

Dia.: 22,5 cm (the plate)

Condition:
- The jar in good condition with a faint glaze line to the base.
- The plate restored.
- The bowl with a rim chip.

H 47 cm

 

Condition: (UV-checked)

- The vase in very good condition. 

H 68 - 62,5 cm (with and without base)

Condition: (UV-checked)
- One in excellent condition.
- One in quasi excellent condition, with a hairline across the base.

H 15,7 - 8 cm (the bowls with cover)

H 8 - L 14 cm (the teapot)

H 9,8 - Dia.: 10,7 cm (the jar on the right)

Dia.: 14,7 - 14,2 cm (the saucers)

H 7 cm (the cups)

L 12,9 - 12,6 cm (the spoons)

 

Condition: (UV-checked)

- The saucer: small chip to the rim (7mm)

- The pair of saucers: the normal wear to the gilt decoration, negligible fleabites to the rim (one with a negligible 2 mm chip to the underside of the rim), one of the saucers with a baking flaw to the bottom rim; furthermore in good condition

- Pair of cups: one of the cups with a baking flaw to the handle, the bottom with a star-shaped hairline not visible on the inside; the other cup in good condition

- The spoons: both in good condition, one with negligible fleabites

- The jar: minor wear and one glaze chip to the rim, furthermore in good condition

- The smallest jar and cover: very good condition, the jar with a baking flaw on the inside and a superficial hardly visible chip to the bottom rim, the cover with a baking flaw

- The teapot and cover: the cover with a small superficial chip to the underside, furthermore in good condition; the teapot in very good condition

- The largest jar and cover: cover with baking error to the enamel and a baking flaw to the rim, the lion on top with superficial damage; the jar in very good condition, with minor glaze chips to the head of the lions

H 53 cm

 

Signed Lessing:fec on the base, with on its side the foundry inscription Akt-Ges Gladenbeck for the Aktien-Gesellschaft Gladenbeck.

 

Condition: (UV-checked)

- The sculpture in good condition, with the usual wear and traces of use.

- The marble base with negligible chips to the corners, hardly visible to the naked eye.

- Weight: 18,6 kg

H 80 cm

 

The sculpture with the 'Société des bronzes de Paris' mark.

 

Ref.:

- P. Kjellberg, Les bronzes du XIXe siècle, Paris, 1989, pp. 508-510.

 

Condition: (UV-checked)

- The sculpture in good condition, with the normal superficial wear and traces of use.

- Stable base, with a dent on one edge. Not visible when the statue is on the base (see extra photos).

- Right knee and right shoulder with minor damage.

H 22 - 16 cm (the bottles)

Dia.: 16,4 cm (the plate)

 

Condition: (UV-checked)

- The big carafe: very good condition, with the usual superficial wear.

- The small carafe: the cap with a chip, the top rim with some superficial chips, furthermore in good condition.

- The plate: with minor traces of use and minor grinding impurities to the rim, furthermore in good condition.

 

H 55 cm

 

Condition: 

- In very good condition with the usual minor superficial wear.

- One of the two agate stones with a tension-related hairline.

- Screw on the belly possibly renewed.

- Lenght: 43 cm, Depth: 22 cm.

Work: 20 x 15 cm

Frame: 38 x 32,5 cm

 

Condition: (UV-checked)

- In good and hangable condition, with minor foxing.

Work: 64 x 44 cm

Frame: 92,5 x 73,5 cm

 

Provenance:

- Part of the exhibition 'Dans l'intimité d'Eugène Boudin, 1824-1898' in the Musée Eugène Boudin, Honfleur, 2014, n° 19.

 

Condition: (UV-checked)

- The work without doubt in good and hangable condition.

- The UV-light shows foremost the colour of the varnish, with soms touch-ups here and there. Slightly larger overpainting in the zone of the left branch of the tree on the right side. Canvas with minor restoration (better visible on the back than the front).

- See additional pictures (UV and natural light).

 

 

Work: 66 x 56 cm

Frame: 86 x 77 cm

 

Condition: (UV-checked)

- The work in very good and hangable condition.

- Under UV-light no retouches visible.

 

Work: 98 x 73 cm

Frame: 112,5 x 87,5 cm

 

Condition: (UV-checked)

- The painting in rather good and hangable condition.

- Relined.

- Needs severe cleaning.

- Spot of flaking paint in the sky in the right top corner.

- Under UV light mainly the colour of the varnish can be seen. However, there are clear traces of old restorations, which no longer light up: old restorations and overpaint (e.g. right top corner). 

- Faint network of craquelures not visible in all zones.

 

Work: 71 x 45 cm

 

Condition: (UV-checked)

- The work in good and hangable condition.

- Relined.

- Top left a small spot of flaking paint, idem bottom center. Small superficial scratch at the bottom.

- Under UV-light some small touch-ups and minor overpaint in the sky (linked with the reason for the relining). Furthermore, the UV-light shows the colour of the varnish.

- See also the additional pictures.

 

Work: ca. 24 x 19 cm

Frame: 37 x 33,5 cm

 

Condition: (UV-checked)

- 'Ecce homo': faint network of craquelures, some spots with flaking paint, the usual wear to the borders. The UV-light shows foremost the typical colour of the varnish. See the additional pictures.

- 'Mater Dolorosa': faint network of craquelures, the paint layer with minor damage to the leeft side of the Madonna, the usual wear to the borders, the panel with in the right top corner a hairline. The UV-light shows foremost the typical colour of the varnish. See the additional pictures.

- Both paintings would without doubt benefit of a cleaning, which will also better map the nature of the works.

 

Work: 127 x 85,5 cm

Frame: 148,5 x 109,5 cm

 

Possible traces of a signature at the bottom right.

 

Condition: (UV-checked)

- In good and hangable condition.

- Relined.

- The UV-light shows the the colour of the varnish, with overpaint and touch-ups in different zones (see additional pictures).

 

Work: ca. 27 x 24,5 cm

Frame: 39 x 36 cm

 

Condition: (UV-checked)

- In general in good and hangable condition, with a fold through the work in the middle zone (see also photo). Small holes in the top corners and top center, due to an earlier hanging system. UV-light shows the colour of the varnish, no overpaint visible.

 

H 88,5 cm

 

The original sculpture was commissioned in 1755 by the Marquis de Marigny (1727-1781), Director General of the King's Buildings, for the Château de Choisy-Le-Roi (Val-de-Marne). The marble block was delivered on January 5, 1756 (plaster model at the 1757 Salon, no. 165). Marble in the booklet of the 1767 Salon, no. 187 (visible in the sculptor's studio). The payment on July 1, 1771. Requested by Countess Du Barry (1743-1793) for the park of the Château de Louveciennes, March 16, 1772. Gift of Louis XV to Mme Du Barry, April 12, 1772. Reserved for the Nation by Louis-Simon Boizot, December 26, 1793. Versailles, special museum of the French School, 1802 [notice of the year X, n° 353]. Palais du Luxembourg, 1803-1818. Entered the Louvre before 1824 (inventoried as being in the Angoulême gallery at that date) (link).

 

Condition: (UV-checked)

- The sculpture in very good condition, with the usual wear and traces of use.

- The base with some chips.

- Minor superficial and hardly visible chip to one of the folds of the cloth on the back of the sculpture.

- Weight: 61,4 kg

31 x 27 cm

 

The oklad marked with the city mark of Moscow and a 1861 dated assayer's mark.

 

Provenance:

- A Belgian private collection.

 

Condition: (UV-checked)

- In very good condition, with normal wear and traces of use. 

- Negligible spots of flaking paint.

- Two cabochons missing.

- Oklad not original.

36,5 x 30,5 cm

 

Provenance:

- A Belgian private collection. Accompanied by a certificate of authenticity by Ikonengalerij Anastasis, Ghent, Belgium.

 

Condition: (UV-checked)

- In very good and hangable condition, with minor wear and traces of use.

- Under UV-light some overpaint of the left and right corner of the central scene is visible. Touch-ups to the top of the cross.

- Icon slats not original.

52,5 x 44 cm

 

Provenance:

- A Dutch private collection. Accompanied by a certificate of authenticity by Zoetmulder Ikonen (Drs. Ingrid Zoetmulder), Delft, the Netherlands.

 

Condition: (UV-checked)

- In very good condition, with some overpaint, especially in the borders. 

- Panel with a small crack of ca. 9 cm.

- Touch-up center bottom central field and in the surroundings of the crack.

- Icon slats missing.

Work: 36,5 x 32,5 cm

Frame: 47 x 43,5 cm

 

Condition: (UV-checked)

- Not inspected outside the frame.

- In good and hangble condition, consisting of two parts.

- Some overpaint here and there, due to the varnish and the glass difficult to determine.

H 104,5 - 101 cm

 

Condition: (UV-checked)

- Both in good condition, with the normal superfical wear, traces of use and tension lines inherent to the material (wood).

- Both angels with minor damages:

* Angel with the Lyre: top of wings with minor restorations and small missing pieces, lyre with minor damage (missing string and top), missing index finger

* Angel with the trumpet: 1 wing with restored top, one wing with small chips, index finger of the left hand is missing, rim of the musical instrument with small chip

H 67,5 cm

 

Applied with a figure of Vulcan, the body molded with a scene of animals fleeing from a fire, an erupting volcano on the reverse, the handle formed as a curling dragon, after the 18th-C. model from the 'Elements series' by Johann Joachim Kändler.

 

Provenance:

- Private collection, Belgium.

 

Condition: (UV-checked)

- In general in good condition, with minor superficial wear.

- The connection between the foot and the body showing overpainting, probably covering a break between the two, whether or not it is broken or retouched is unclear due to the overpainting.

- Different elements, from top to bottom:

* Putto: head reattached

* Dragon: tongue with small missing part (small pieces available, not complete), both tops of the wings restored, tail with a small missing piece.

* Vulcan: OK

* Figure on the side: missing a part of the tool in the left hand, 

* Putto: Torch restored

* Deer: left front leg and associated foliage restored, right front leg with missing top (+ damage to the foliage)

* Goat: one of the horns missing

* Wild boar: OK

* Dog: OK

H 32 - 19 cm (the tallest and smallest sculpture)

H 15,5 - 7 cm (the tallest and the smallest bowl)

 

Condition: (UV-checked)

- The group with the two figures: in very good condition, with a negligible superficial chip to one of the fingers of the lady

- The 'music' group: restoration to the hands of the sitting violinist, restoration to the left hand of the standing violinist, the normal damage and minor restoration to the lace, one finger of the lady with a hairline

- The birds of prey: good condition

- Pair of open-worked baskets: usual and negligible chips to petals, furthermore in good condition

- The 'birds' group: bird front right missing part of wing and restored beak, leaf back left also with a chip and restoration around, bird on top with a restored wing, one of the snail's antennae broke off

- Jar and cover: the cover with a chip to the inside rim and two related hairlines, usual and negligible chips to petals, minor chip to the bowl

- Bowl on foot: usual and negligible chips to petals, one of the ears restored, foot with a short hairline, furthermore in good condition.

- The bowl: usual and negligible chips to petals, furthermore in good condition

- See also the additional pictures

H 30,5 cm

 

Bernard Moore (1850–1935) was an English pottery manufacturer and ceramic chemist known for the innovative production of art pottery, especially his flambé glazes and pottery with reduced lustre pigments.

 

Condition: (UV-checked)

- The vase in very good condition, with the normal minor superficial wear and superficial traces of use.

- The bottom with some more pronounced crazing.

H 26,5 - 25 cm

 

Condition: (UV-checked)

- In very good condition, the lady missing the little finger of the right hand.

Work: ca. 33 x 17 cm

Frame: 54 x 38 cm

Condition: (UV-checked)
- Small chips and minor wear to the rims. One with a large superficial chip to the corner on the underside.
- Each plaque also with an impressed mark to the bottom.
- Could potentially benefit from a good cleaning.
- Overall in good condition.

One of the plaques with the inscription 'Mars 1873' in the left bottom corner.

 

Provenance:

- Private collection, Belgium.

 

 

Dia.: 23,3 cm

Condition: (UV-checked)
- All in excellent condition. One plate where the mark is worn off.

H 45 cm

 

The work marked 'H.Y. Marc Paris' and inscribed with the number '1842'.

 

Condition: (UV-checked)

- The clock in general in dood condition, with the normal traces of use.

- Some tortoiseshell missing, the brass at the left side (when looking to the clock) loose, decoration left bottom corner slightly loose, top reattached, right top decoration reattached, original lock missing and door does not close perfectly (see additional pictures).

- Springs tested and tension is present.

H 91 cm

 

Condition: (UV-checked)
- The first vase with a chip under the rim, a hairline in the middle extending from the chilong's tail to the white horse, slightly visible on the inside.
- The second vase with a chip to the lion's tail of the handle. A chilong's head and a chilong's neck restored. A glaze line of ca. 10 cm above the foot rim and some superficial crazing around the foot rim.

品相：（已用紫外线光检查）
- 第一个花瓶口沿下有磕崩，炸肚。
- 第二个花瓶耳上狮尾有一个飞皮，一个螭龙的头和另一个螭龙的脖子有修复痕迹。花瓶圈足上一条惊釉，不透。圈足上多处龟裂。

 

H 63,5 - 61,5 cm

Condition: (UV-checked)
- The tallest with a vertical hairline from just below the neck to just above the foot and another one diagonally oriented of ca. 12 cm.
- The smallest with a restored section to the upper rim.

H 60 cm

Condition: (UV-checked)
- Excellent.

H 59,5 cm

Condition: (UV-checked)
- Excellent.

H 39,5 - 58 cm (without and with base)

Condition: (UV-checked)
- Excellent.

H 39,5 cm

Condition: (UV-checked)
- Excellent, but with superficial wear and dirt adhered.

H 22,5 cm

Condition: (UV-checked)
- Excellent.

H 21,5 cm

Condition: (UV-checked)
- The cover with two rim chips, otherwise good.
- The jar in excellent condition.

H 19 cm

Condition: (UV-checked)
- Very good, with a few small rim chips and tension lines to the inside of the neck.

H 16 - Dia.: 20 cm

Condition: (UV-checked)
- Sections of glaze loss along the base.
- A number of baking cracks to the underside.
- Superficial wear throughout, but generally in good condition.

Dia.: 36,5 - 22 cm

 

Condition: (UV-checked)

- The pair of plates: one plate with two chips and one superficial chip to the rim and a very short hairline (ca. 1 cm); the second plate with two small chips and a hairline of ca. 2 cm. 

- The 'Kraak' dish: a hairline of ca. 6,5 cm to the rim, some superficial glaze chips/fritting, a baking flaw, furthermore in very good condition. 

Dia.: ca. 11,5 cm

 

 

Condition: (UV-checked)

- Set of 3: one broken and totally restored, one with a hairline with related overpaint, one with a hairline on the inclide side and traces of related overpaint.

- Set of 2: one with three short hairlines, two very minor rim chips and a fleabite to the rim; one with two very small rim chips.

H 4,5 cm - Dia.: 7 cm

 

Condition: (UV-checked)

- In very good condition.

 

Dia.: 54 cm

 

Condition: (UV-checked)

- Very good condition, with normal wear.

H 80 cm

Condition:
- Overall in good condition.
- The peacock on top of the left pillar lacking some feathers.
- Small chips, paint loss and superficial wear throughout.

Possibly intended for the Straits or Peranakan market.

Dia.: 64,5 cm

Condition: Very good, the rim with two spots where the gilding is rubbed off.

H 37 - 28,5 cm (with and without mounts)

Condition:
- Good, but with a number of casting flaws.
- Mounted on a later black-painted plaster base.

H 32 cm

Condition:
- Very good, with minor superficial wear to the gilding throughout.

H 19 - L 17 - D 14,5 cm

Condition:
- Overall in good, solid condition.
- Typical small losses to the superficial encrustation and patination.
- One of the four legs cast slightly shorter, resulting in a slightly leaning position when resting.

Provenance:
- The collection of Mr. and Mrs. S., Ghent, Belgium.
- Acquired from Het Magazijn, Ghent, in June 2006, according to the owner's inventory notes.

Ref.: The Metropolitan Museum, New York, Accession Number: 49.135.2, for a related example. (link)

 

H 17,5 - Dia.: 16,5 cm

Condition:
- Generally in very good, solid condition. Some minor wear to the patination.

Provenance:
- The collection of Mr. and Mrs. S., Ghent, Belgium.
- Acquired from Het Magazijn, Ghent, in January 2011, according to the owner's inventory notes.
- Acquired by Het Magazijn from the collection of Philip Smolarski, according to the owner's inventory notes.

Ref.: The Smithsonian, National Museum of Asian Art, New York, Accession Number S1987.912 from the Arthur Sackler Collection, for a closely related example. (link)

H 19,5 - Dia.: 16 cm

Condition:
- Overall in good, solid condition.
- Typical small losses to the superficial encrustation and patination.
- Two spots within the concave bowl may possibly have been filled at the time of production, they appear discoloured below the patina.

Provenance:
- The collection of Mr. and Mrs. S., Ghent, Belgium.
- Acquired fom Het Magazijn, Ghent, in March 2013, according to the owner's inventory notes.

H 25 - L 21,5 cm

Condition:
- Overall in good, solid condition.
- Typical small losses to the superficial encrustation and patination.
- Traces of rust below the patination.

Provenance:
- The collection of Mr. and Mrs. S., Ghent, Belgium.
- Acquired from Het Magazijn, Ghent, in November 2010, according to the owner's inventory notes.
- Acquired by Het Magazijn from the Schlimper collection, Düsseldorf, according to the owner's inventory notes.
- Originally acquired from Pranger Oriental Art, Amsterdam, ca. 1980, according to the owner's inventory notes.

Dim.: ca. 35 x 30 x 30 cm

Condition:
- Overall in very good, solid condition.
- Typical small losses to the superficial encrustation and patination.
- Minor casting flaws throughout, in line with expectancy.
- The finial leaning towards one side.

 Provenance:
- The collection of Mr. and Mrs. S., Ghent, Belgium.
- Acquired from Het Magazijn, Ghent, in June 2012, according to the owner's inventory notes.
- Acquired by Het Magazijn from the Princeton collection, New York, according to the owner's inventory notes.
- Previously in the collection of E. Growen, New York, according to the owner's inventory notes.

H 23,5 cm

Condition:
- Overall in good, solid condition.
- Typical small losses to the superficial encrustation and patination.
- The upper rim slighly deformed.
- Traces of rust below the patination.

Provenance:
- The collection of Mr. and Mrs. S., Ghent, Belgium.
- Acquired from Eslampanah, Brussels, in April 2013, according to the owner's inventory notes.

H 32 cm - L 25,5 cm

Condition:
- Overall in good, solid condition.
- Typical small losses to the superficial encrustation and patination.
- Some spots of rust throughout.
- The cover properly fitting, but slightly different in terms of patination and encrustation. This may be due to being buried separately, in a slightly different soil composition.

Provenance:
- The collection of Mr. and Mrs. S., Ghent, Belgium.
- Acquired from Het Magazijn, Ghent, in July 2005, according to the owner's inventory notes.
- Acquired by Het Magazijn from the collection of dr. Wong-Lun-Hing, Breda, The Netherlands, according to the owner's inventory notes.

H 15 - L 34 cm

Condition:
- Overall in good, solid condition.
- Three pierced holes in the body, as well as a fourth irregular puncture.
- A section of loss to the rim above one of the handles.
- A ca. 4 cm tear just below the rim.
- One handle possibly re-attached, some irregularity showing on that handle as well, please refer to the images.

Provenance:
- The collection of Mr. and Mrs. S., Ghent, Belgium.
- Acquired from Eslampanah, Brussels, in June 2013, according to the owner's inventory notes.

H 32,5 - 15 cm (the tallest and the smallest sculpture)

 

Comprising sculptures from India, Cambodia and Thailand.

Condition: All in good condition with typical negligible casting flaws. The head with a few small flakes to the extremities.

H 21 - 10 cm (the largest and the smallest figure)

Condition:
- The bronzes overall good, with typical casting flaws.
- The stone figure on the far right with a reglued break to the section around the neck and above the shoulders.

H 115 cm

 

Condition: (UV-checked)

- In good condition, with the normal wear and traces of use.

- Figure on top with missing arms.

- Some of the pins that serve as a connection between the lid and the figure are missing.

H 41 cm

Condition: (UV-checked)
- One in very good condition with normal minor superficial wear.
- One in good condition but with two old repairs showing to one side.
- Probably lacking an ornament in the hands.

H 22,5 - L 62,5 - D 51,5 cm

 

Condition: (UV-checked)

- In very good condition with the normal superficial wear and traces of use. Please note that the dish is not bronze but earthenware.

- The mount as usual with very slightly traces of use. 

 

H 31 cm

 

Condition: (UV-checked)

- Cover with a negligible chip to the underside, a small chip to the side and the finial reattached. Furthermore in good condition.

- The foot rim of the jug with a superficial chip, the top of the spout with negligible glaze loss. Furthermore in very good condition.

H 35 cm

 

Condition: (UV-checked)

- The cover broken and restored with some missing pieces at the inside.

- Tip of the spout with a negligible superficial chip. The spout and handle are colored differently, the nature of a possible restoration is not visible via UV.

Dia.: 22,5 cm

Condition:
- One broken and reglued.
- One in excellent condition.

Work: 42,5 x 30 cm

Paper: 53 x 39,5 cm

Frame: 56 x 43 cm

 

Condition: (UV-checked)

- Both works in good and hangable condition, with some foxing of the paper, as visible on the pictures.

- Not inspected outside the frame. 

Work: 64 x 45 cm

Frame: 69,5 x 50,5 cm

 

Provenance:

- Private collection, Bruges, Belgium.

 

Condition: (UV-checked)

- The work in good and hangable condition.

- Not inspected outside the frame.

- The paper with some foxing, especially in the left top corner.

Work: 126,5 x 77,5 cm

Frame: 161 x 112 cm

 

Condition/ (UV-checked)

- In good and hangable condition.

- The UV-light shows far and foremost the colour of the varnish.

- Would benefit of a cleaning, so that the colours come out more beautifully again.

Work: 61,5 x 51 cm

Frame: 95 x 85 cm

 

Condition: (UV-checked)

- The painting in good and hangable condition.

- Relined.

- UV-light shows foremost the colour of the varnish. Some overpaint visible (not recent, see also the different pattern in the craquelures).

 

H 78 cm

 

A later cast of 'Nature unveiling herself before science'.

 

Ref.:

- P. Kjellberg, Les bronzes du XIXe siècle, Paris, 1989, pp. 49-51 (with a picture of the same sculpture on p. 50).

 

Condition: (UV-checked)

- In very good condition, with the usual superficial wear and minor traces of use.

- The reverse with minor scratches, at the level of the left shoulder.

- A later cast.

Work: 84 cm

Frame: 95 x 54 cm

 

Condition: (UV-checked)

- In general in good condition, with the normal tension lines of the wood.

- Oak leaves reattached on the right side, same leaves lower left. Whole is made of several pieces of wood.

- See additional pictures.

H 80 cm

 

The base inscribed with the text 'Offert par Mme Gibert 12 novembre 1911' and an aplied label 'Le Roux Orfèvre Rue de Rennes 94 Paris'. Pierre Le Roux was active between ca. 1887 and 1912.

 

Condition: (UV-checked)

- In very good condition, with the normal superficial wear and negligible traces of use. 

H 18,3 cm

 

Ref.:
- The V&A, London, accession number 237-1874, for a related example, likely slightly earlier, made in Siena between 1360-1410 and signed by Fra Giacomo di Tondo. (link)

 

Condition: (UV-checked)

- In good condition, with wear to the gilt decoration and minor traces of use.

- The silver cup a later replacement. Minor damage to the niello silver.

- See also the additional pictures.

 

H 77,5 cm

Total weight: 1522 g

 

Condition: (UV-checked)

- In very good condition, with the normal traces of use and the usual wear.

- Some rays are slightly curved.

- Most probably a missing attribute in the right hand of the angel.

- Would benefit of a silver cleaning.

- Could be a marriage (see also the hole in the wing of the angel).

H 34,5 cm

Total weight: 762 g

 

Condition: (UV-checked)

- In very good condition, with the usual traces of use. Would benefit of a silver cleaning.

- One of the cartouches with minor damage, sustained during the production process.

- Top of the cover with a small missing piece. 

H 28 cm

Total weight: 552 g

 

Condition: (UV-checked)

- In general in very good condition, with some wear.

- The top of the foot with some dents.

- Small dent to the cup, not visible to the naked eye, but you can feel it.

- Would benefit of a silver cleaning. The gilding of the top of the coupe not visible anymore.

H 28 cm

Total weight: 707 g

 

Condition: (UV-checked)

- In general in very good condition, with the usual superficial wear.

- French origine.

- The gilding not visible anymore at some places.

- A negligible hariline of 2 mm in one of the dimples of the foot.

- Would benefit of a silver cleaning.

 

H 29,5 cm

Total weight: 1151 g

 

Marked with the typical 'viellard' of 'Michel-Ange' for 950/000.

 

Condition: (UV-checked)

- In general in very good condition, with the usual superficial wear.

- The cup will negligible dents, not visible to the naked eye, but you can feel it.

- Would benefit of a silver cleaning.

- Foot rim with minor dents. 

Dia.: 16,5 cm (the saucer)

H 8 cm (the cup and saucer)

Total weight: 338 g

 

Marked with the 'Minerve casquée' and the number 1.

 

Condition: (Uv-checked)

- In very good condition, with the normal superficial wear. 

- The top rim with a hardly visible and negligible dent (see the additional picture).